= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1850 / September | View All Issues |

September 1850

Article

433-438 PDF

Memories of Miss Jane Porter·

= Subscribers only.
Sign in here.
Subscribe here.


Article

439-448 PDF

Shooting stars and meteoric showers·

= Subscribers only.
Sign in here.
Subscribe here.

Article

448-452 PDF

A five days’ tour in the Odenwald. A sketch of German life·

= Subscribers only.
Sign in here.
Subscribe here.

Article

452-454 PDF

The mysterious preacher·

= Subscribers only.
Sign in here.
Subscribe here.

Article

454 PDF

Assyrian sects·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

454 PDF

The approach of Christmas·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

455-460 PDF

Ugliness redeemed–a tale of a London dust-heap·

= Subscribers only.
Sign in here.
Subscribe here.

Article

460-467 PDF

Sketches of English character·

= Subscribers only.
Sign in here.
Subscribe here.

Article

467-470 PDF

Presence of mind–a fragment·

= Subscribers only.
Sign in here.
Subscribe here.

Article

471-472 PDF

Fearful tragedy–a man-eating lion·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

472-476 PDF

The haunted house in Charnwood Forest·

= Subscribers only.
Sign in here.
Subscribe here.

Article

476-478 PDF

Ledru Rollin–biographical sketch·

= Subscribers only.
Sign in here.
Subscribe here.

Article

478-479 PDF

A chip from a sailor’s log·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

479-480 PDF

The two Thompsons·

= Subscribers only.
Sign in here.
Subscribe here.

Article

480-482 PDF

Habits of the African lion·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

483 PDF

The old church-yard tree. A prose poem·

= Subscribers only.
Sign in here.
Subscribe here.

Article

483-487 PDF

The English peasant·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

487-499 PDF

Maurice Tiernay, the soldier of fortune (chaps. IX-XI)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

499-503 PDF

An aerial voyage·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

503-509 PDF

Andrew Carson’s money; a story of gold·

= Subscribers only.
Sign in here.
Subscribe here.

Article

510-512 PDF

Neander·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

518-521 PDF

Little Mary–a tale of the Irish famine·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

521-524 PDF

The old well in Languedoc·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

524 PDF

Summer pastime·

= Subscribers only.
Sign in here.
Subscribe here.

Article

524-529 PDF

The chemistry of a candle·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

529-546 PDF

The mysterious compact·

= Subscribers only.
Sign in here.
Subscribe here.

Reviews

546-548 PDF

Wordsworth’s posthumous poem·

= Subscribers only.
Sign in here.
Subscribe here.

Article

548-553 PDF

The literary profession–authors and publishers·

= Subscribers only.
Sign in here.
Subscribe here.

Article

551-553 PDF

The brothers Cheeryble·

= Subscribers only.
Sign in here.
Subscribe here.

Article

553-554 PDF

Writing for periodicals·

= Subscribers only.
Sign in here.
Subscribe here.

Article

554 PDF

Anecdote of Lord Clive·

= Subscribers only.
Sign in here.
Subscribe here.

Article

554-555 PDF

The imprisoned lady·

= Subscribers only.
Sign in here.
Subscribe here.

Article

556 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

556-557 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

556-560 PDF

Literary and scientific miscellany·

= Subscribers only.
Sign in here.
Subscribe here.

Article

557 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

557 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

557-558 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

558 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

558 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

558-559 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

559 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

559 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

559-560 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

560 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

560 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

560 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Article

560 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

561-570 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

570-574 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

570-574 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Fashions for early autumn

575-576 PDF

Fashions for early autumn·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today