= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1853 / March | View All Issues |

March 1853

Article

433-448 PDF

Notes from the copper region·

= Subscribers only.
Sign in here.
Subscribe here.


Article

469 PDF

Labor guided by knowledge·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

493 PDF

Tributary sonnet·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

494-495 PDF

Introduction·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

494-501 PDF

Extracts from the portfolio of an excitement seeker (number I)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

495-497 PDF

The drowned boy and his mother·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

497-499 PDF

A true ghost story·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

499-501 PDF

The feelings of the dead·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

501-502 PDF

Better than diamonds·

= Subscribers only.
Sign in here.
Subscribe here.

Article

502-504 PDF

Gifts of memory·

= Subscribers only.
Sign in here.
Subscribe here.

Article

504-505 PDF

Remarkable predictions·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

506-510 PDF

Was it all luck?·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

510-519 PDF

The careless word·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

519-522 PDF

The singer of Eisenach·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

523-541 PDF

Bleak House (chaps. XXXVI-XXXVIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

541-548 PDF

Miss Harrington’s prediction·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

549-553 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s table

554-558 PDF

Editor’s table·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s table

554-558 PDF

Editor’s table·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

558 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

558-559 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

558-562 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

559 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

559 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

559 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

559-560 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

560 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

560 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

560-562 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562-563 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

562-568 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

563 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

563 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

563 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

564 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

564 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

564 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

564-565 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

565 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

565 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

565 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

565 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

565-566 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

566 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

566 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

566 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

566 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

566-567 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

567 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

567 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

567 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

567-568 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

568-572 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

568-572 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Comicalities, original and selected

573 PDF

Progress of luxury·

= Subscribers only.
Sign in here.
Subscribe here.

Comicalities, original and selected

573 PDF

An affair of importance·

= Subscribers only.
Sign in here.
Subscribe here.

Comicalities, original and selected

573-574 PDF

Comicalities, original and selected·

= Subscribers only.
Sign in here.
Subscribe here.

Comicalities, original and selected

574 PDF

Failure of the croton·

= Subscribers only.
Sign in here.
Subscribe here.

Comicalities, original and selected

574 PDF

An eligible opportunity·

= Subscribers only.
Sign in here.
Subscribe here.

Fashions for March

575-576 PDF

Fashions for March·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today