= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1864 / February | View All Issues |

February 1864

Article

289-304 PDF

Simon Kenton·

= Subscribers only.
Sign in here.
Subscribe here.


Article

305-311 PDF

Monomoy·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

311 PDF

A woman’s words·

= Subscribers only.
Sign in here.
Subscribe here.

Article

312-314 PDF

The “geometer” or measuring worm·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

314-320 PDF

Episodic farming·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

320 PDF

The three watchers·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

321-334 PDF

The Small House at Allington (chaps. XLVI-XLVIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

334-336 PDF

A historical mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

337-340 PDF

Edinburgh after Flodden·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

341-354 PDF

John Heathburn’s title. A tale in two parts (part I)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

354-364 PDF

The Siege of Louisburg·

= Subscribers only.
Sign in here.
Subscribe here.

Article

364-366 PDF

On the stage·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

367-377 PDF

Mehetabel Rogers’s cranberry swamp·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

377-381 PDF

Picked up·

= Subscribers only.
Sign in here.
Subscribe here.

Article

381-388 PDF

Four days at Gettysburg·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

388-395 PDF

Our Bridget·

= Subscribers only.
Sign in here.
Subscribe here.

Article

395-397 PDF

A gossip about fires·

= Subscribers only.
Sign in here.
Subscribe here.

Article

398-405 PDF

Renan and his book·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

406-414 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

414-416 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notices

414-416 PDF

Literary notices·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

417 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

417-418 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

417-421 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

418 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

418-419 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

419-420 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

420 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

420-421 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

421 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

421-422 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

421-430 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

422 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

422 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

422-423 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

423 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

423 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

423 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

423 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

423-424 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

424 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

424 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

424 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

425 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

425 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

425 PDF

A copperhead orator·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

426 PDF

Sound advice·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

426 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

426 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

426-427 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

427 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

427 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

427 PDF

The way they do it·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

427-428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

428 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

429 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

429 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

430 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

430 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Fashions for February

431-432 PDF

Fashions for February·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today