= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1878 / August | View All Issues |

August 1878

Article

321-336 PDF

The golden age of engraving·

= Subscribers only.
Sign in here.
Subscribe here.


Article

337-356 PDF

The White Sulpher Springs·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

357-365 PDF

Aunt Eunice’s idea·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

365 PDF

Shipwreck·

= Subscribers only.
Sign in here.
Subscribe here.

Article

366-375 PDF

An old-fashioned spa·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

376-384 PDF

Manuel Menendez·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

384 PDF

Who knows?·

= Subscribers only.
Sign in here.
Subscribe here.

Article

384-403 PDF

Birds and plumage·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

403 PDF

In a cloud rift·

= Subscribers only.
Sign in here.
Subscribe here.

Article

404-411 PDF

A glimpse of nature from my veranda·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

412-427 PDF

Macleod of Dare (chaps. XXIV-XXVII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

427-434 PDF

John Comprador·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

434 PDF

A summer day·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

435-448 PDF

The return of the native (book III, chaps. V-VIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

448 PDF

The cliffs at Newport·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

449-460 PDF

Jenny Gridley’s concession·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

460 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

460-461 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

460-464 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

461-462 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

462-463 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

463-464 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

464-469 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

464-469 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s scientific record

469-474 PDF

Editor’s scientific record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s scientific record

469-474 PDF

Editor’s scientific record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s historical record

475 PDF

Editor’s historical record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

476 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

476 PDF

Miscellaneous business before the house·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

476-477 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

476-480 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

477 PDF

Popping the question·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

477 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

477 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

477 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

477-478 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

478 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

478 PDF

The beginning of trouble·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

478 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

478 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

478-479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Two sides of a question·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479-480 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

480 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today