= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1878 / December | View All Issues |

December 1878

Poetry

1-2 PDF

Hymn on the nativity·

= Subscribers only.
Sign in here.
Subscribe here.


Collection

1-6 PDF

Merry Christmas!·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

2 PDF

Christmas-day·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

2-4 PDF

A Christmas carol·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

4-6 PDF

Mercy’s appeal to God for man·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

6-16 PDF

Two hundred and two·

= Subscribers only.
Sign in here.
Subscribe here.

Article

17-36 PDF

England’s great university·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

37-47 PDF

Knoware·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

47 PDF

After dark·

= Subscribers only.
Sign in here.
Subscribe here.

Article

47-55 PDF

The Red River Colony·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

55 PDF

Urania·

= Subscribers only.
Sign in here.
Subscribe here.

Article

56-75 PDF

Mendelssohn and Moscheles·

= Subscribers only.
Sign in here.
Subscribe here.

Article

75-82 PDF

Silver·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

82 PDF

The children!·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

83-95 PDF

The return of the native (book V, chaps. V-VIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

95-97 PDF

The mariners’ “cautionary signal”·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

97-106 PDF

Helen·

= Subscribers only.
Sign in here.
Subscribe here.

Article

106-109 PDF

Crime and tramps·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

109 PDF

Joseph, the Nez Percé·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

110-126 PDF

Macleod of Dare (chaps. XL-XLIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

126-130 PDF

Some peculiarities of yellow jack·

= Subscribers only.
Sign in here.
Subscribe here.

Article

131-135 PDF

The first railroad in China·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

135 PDF

Expectation·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

136-140 PDF

A rescue from cannibals·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

140-141 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

140-145 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

141-142 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

142-143 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

143-144 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

144-145 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

145-151 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

145-151 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s scientific record

151-156 PDF

Editor’s scientific record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s scientific record

151-156 PDF

Editor’s scientific record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s historical record

156 PDF

Editor’s historical record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157-158 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157-158 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157-160 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158-160 PDF

Tom’s little star; or, the art and the woman·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today