= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1880 / March | View All Issues |

March 1880

Article

481-493 PDF

The new school of Italian painting and sculpture·

= Subscribers only.
Sign in here.
Subscribe here.


Poetry

493 PDF

Isis·

= Subscribers only.
Sign in here.
Subscribe here.

Article

494-501 PDF

Among the Arapahoes·

= Subscribers only.
Sign in here.
Subscribe here.

Article

501-508 PDF

“Pinafore’s” predecessor·

= Subscribers only.
Sign in here.
Subscribe here.

Article

508-512 PDF

Obstinacy·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

513 PDF

A winter idyl·

= Subscribers only.
Sign in here.
Subscribe here.

Prologue

Collection

513-528 PDF

A winter idyl·

= Subscribers only.
Sign in here.
Subscribe here.

Article

514-528 PDF

A winter idyl·

= Subscribers only.
Sign in here.
Subscribe here.

Article

529-535 PDF

Dakota wheat fields·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

536-537 PDF

Valentine·

= Subscribers only.
Sign in here.
Subscribe here.

Article

538-542 PDF

An Irish wake·

= Subscribers only.
Sign in here.
Subscribe here.

Article

542-557 PDF

Vacation aspects of Colorado·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

558-570 PDF

White wings. A yachting romance (chaps. XXIII-XXV)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

570-570 PDF

Miss Beulah’s bonnet·

= Subscribers only.
Sign in here.
Subscribe here.

Article

579-587 PDF

Transportation by railway and ship-canals·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

587 PDF

The sifting of Peter. A folk-song·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

588-597 PDF

Karin. A romance of Swedish life·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

598 PDF

The snow-messengers·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

599-614 PDF

Mary Anerley (chaps. XXVIII-XXXI)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

614-620 PDF

The preservation of hearing·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

620 PDF

Honoria·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

621-622 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

621-627 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

622-623 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

623-625 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

625-626 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

626-627 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

627-635 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

627-635 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s historical record

635-636 PDF

Editor’s historical record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636-637 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

636-640 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637 PDF

A merry ballett on husbande and wyffe·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

637-638 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

638 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

638 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

638 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

638-639 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

639 PDF

De profundis·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

639 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

639 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

639 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

640 PDF

Tommy Tuffs’s bird-kite·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today