= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1883 / January | View All Issues |

January 1883

Article

164-180 PDF

Artist strolls in Holland (I)·

= Subscribers only.
Sign in here.
Subscribe here.


Article

181-192 PDF

Living lamps·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

192 PDF

The anchor·

= Subscribers only.
Sign in here.
Subscribe here.

Article

193-210 PDF

In a redwood logging camp·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

210-215 PDF

Widow Brown’s Christmas·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

216 PDF

Sick is Anthea·

= Subscribers only.
Sign in here.
Subscribe here.

Article

217-233 PDF

The old English seamen·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

233 PDF

Humility·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

234 PDF

To meadowes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

243-250 PDF

For the Major (chap. IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

251-271 PDF

Tit for tat·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

271 PDF

An old, old question·

= Subscribers only.
Sign in here.
Subscribe here.

Article

271-274 PDF

The American dairy and its possibilities·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

275-280 PDF

Dick’s Christmas·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

282-284 PDF

The New-Year’s log-rolling·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

284 PDF

A Christmas thought·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

285-302 PDF

Shandon bells (chaps. XXIII-XXV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

302-303 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

302-307 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

303-305 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

305-307 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

308-317 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s literary record

308-317 PDF

Editor’s literary record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s historical record

317-318 PDF

Editor’s historical record·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

319-320 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

319-324 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

320-321 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The lion in the ass’s skin·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The ‘coon and the colonel·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The wolf and the crane·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The storks and the frogs·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The ox and the frog·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The whale and the torpedo·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321 PDF

The fowler and the bird·

= Subscribers only.
Sign in here.
Subscribe here.

Collection, Editor’s drawer

321-322 PDF

Modern fables·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

321-322 PDF

The recording angel·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322 PDF

Don’d feel too big!·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322 PDF

The minstrel boy and his harp·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322 PDF

The vigilant peasant lad and the wolf·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322 PDF

The reflective camel and the moolah·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322 PDF

Sinbad and the Old Man of the Sea·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

322-323 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

323 PDF

To the minor poets·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

323 PDF

Moon-struck·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

323 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

323 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

323-324 PDF

Then and now·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

324 PDF

Advice to a coquette·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today