= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1887 / March | View All Issues |

March 1887

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

494, 640-642 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Article

495-518 PDF

The New York Police Department·

= Subscribers only.
Sign in here.
Subscribe here.

Article

519-535 PDF

Duelling in Paris·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

535 PDF

The dervish·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

536 PDF

A soldier under Napoleon·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

536 PDF

Impatience·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

537-552 PDF

The rivalries of Mr. Toby Gillam·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

552 PDF

Over an old folio·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

553-579 PDF

Springhaven (chaps. LII-LVI)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

579-589 PDF

Russia of to-day·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

589-606 PDF

April hopes (chaps. VIII-XIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

606-621 PDF

A Louisiana sugar plantation of the old régime·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

622-634 PDF

Narka. A story of Russian life (chaps. VIII-X)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

634-640 PDF

The South revisited·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

640-647 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

642-643 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

643-645 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

645-646 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

646-647 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

647-648 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

647-651 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

648 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

648-649 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

649-650 PDF

– (IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

650 PDF

– (V)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

650-651 PDF

– (VI)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

651 PDF

– (VII)·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

651-652 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

652-653 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

652-655 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

653 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

653 PDF

A valuable grievance·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

653 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

653-654 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

654 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

654 PDF

March·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

654 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

655 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

655 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

655 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

655 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

656 PDF

Just in time for a cup of tea·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today