= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1888 / November | View All Issues |

November 1888

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

812-813 PDF

“Why canst thou not as others do”·

= Subscribers only.
Sign in here.
Subscribe here.

Article

814-825 PDF

The lower St. Lawrence·

= Subscribers only.
Sign in here.
Subscribe here.

Article

826-836 PDF

A museum of the history of Paris. The Hôtel Carnavalet·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

836 PDF

In darkness·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

837-856 PDF

A pink villa·

= Subscribers only.
Sign in here.
Subscribe here.

Article

856-863 PDF

Elk-hunting in the Rocky Mountains·

= Subscribers only.
Sign in here.
Subscribe here.

Article

863-868 PDF

Boats on the Tagus·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

869-888 PDF

Annie Kilburn (XXV-XXX)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

889-900 PDF

The New Orleans bench and bar in 1823·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

900-922 PDF

In far Lochaber (chaps. XXI-XXIV)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

923-927 PDF

Invalidism as a fine art·

= Subscribers only.
Sign in here.
Subscribe here.

Article

928-944 PDF

The New York Real Estate Exchange·

= Subscribers only.
Sign in here.
Subscribe here.

Article

944-955 PDF

Our journey to the Hebrides (third paper)·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

956 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

957-958 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

957-962 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

958-959 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

959-961 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

961-962 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

962 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

962-963 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

962-967 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

963 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

964 PDF

– (IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

964-965 PDF

– (V)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

965-967 PDF

– (VI)·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

967 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

968-969 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

968-972 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

969 PDF

A questionable tribute·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

969 PDF

The conventionality of youth·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

969 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

970 PDF

An irrepressible darky·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

970 PDF

In the White Mountains·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

971 PDF

Antonio and Jeremiah–an inharmonious tale·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

Equitable enough·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

A long term·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

Two requests·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

The long stop·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

“In Season 5 of Louie (FX), Louie is a new kind of superhero. Like Wonder Woman, the canonical superhero he most resembles, Louie’s distinctive superpower is love.”
Illustration by Demetrios Psillos
Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

On a Friday evening in January, a thousand people at the annual California Native Plant Society conference in San Jose settled down to a banquet and a keynote speech delivered by an environmental historian named Jared Farmer. His chosen topic was the eucalyptus tree and its role in California’s ecology and history. The address did not go well. Eucalyptus is not a native plant but a Victorian import from Australia. In the eyes of those gathered at the San Jose DoubleTree, it qualified as “invasive,” “exotic,” “alien” — all dirty words to this crowd, who were therefore convinced that the tree was dangerously combustible, unfriendly to birds, and excessively greedy in competing for water with honest native species.

In his speech, Farmer dutifully highlighted these ugly attributes, but also quoted a few more positive remarks made by others over the years. This was a reckless move. A reference to the tree as “indigenously Californian” elicited an abusive roar, as did an observation that without the aromatic import, the state would be like a “home without its mother.” Thereafter, the mild-mannered speaker was continually interrupted by boos, groans, and exasperated gasps. Only when he mentioned the longhorn beetle, a species imported (illegally) from Australia during the 1990s with the specific aim of killing the eucalyptus, did he earn a resounding cheer.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A tourism company in Australia announced a service that will allow users to take the “world’s biggest selfies,” and a Texas man accidentally killed himself while trying to pose for a selfie with a handgun.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today