= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1889 / September | View All Issues |

September 1889

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Article

488-521 PDF

American artists at the Paris Exhibition·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

521-534 PDF

A little journey in the world (XII-XIII)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

534-543 PDF

The religious movement in France·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

543-551 PDF

The Pendragon trial·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

551-552 PDF

A legend of the sky-watchers·

= Subscribers only.
Sign in here.
Subscribe here.

Article

553-568 PDF

Kentucky fairs·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

569-579 PDF

Joe Gilfillan·

= Subscribers only.
Sign in here.
Subscribe here.

Article

579-583 PDF

The oldest and smallest sect in the world·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

583-599 PDF

Jupiter lights (XXXI-XXXV)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

600-618 PDF

Holy Moscow·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

618-619 PDF

To the cuckoo·

= Subscribers only.
Sign in here.
Subscribe here.

Article

620-631 PDF

London mock parliaments·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

632 PDF

Aesthetics·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

633-634 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

633-638 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

634-636 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

636-637 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

637-638 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

639 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

639-640 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

639-643 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

640-641 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

641-642 PDF

– (IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

642 PDF

– (V)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

642-643 PDF

– (VI)·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

643 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

644-645 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

644-648 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Collection, Editor’s drawer

645 PDF

Bowling-alley reminiscences·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

645 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

645 PDF

The extent of her knowledge·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

645 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

645 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

The stage-coach·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

On board the “Betsy Jane”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

Historical puns·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

A fortunate woman·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

A satisfactory compromise·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

The colonel’s dog·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

What’s in a word?·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

The force of habit·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

The trials of an artist·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today