= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1890 / September | View All Issues |

September 1890

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Article

488-509 PDF

Across the Andes·

= Subscribers only.
Sign in here.
Subscribe here.

Article

509-513 PDF

The metric system·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

513-520 PDF

From a battlement of roses·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

520 PDF

Poets·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

521-537 PDF

Port Tarascon·

= Subscribers only.
Sign in here.
Subscribe here.

The last adventures of the illustrious Tartarin

Article

538-550 PDF

Recent discoveries of painted Greek sculpture·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

550-551 PDF

The Moor girl’s well·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

552-553 PDF

Aix-la-Chapelle·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

553-561 PDF

The revolt of “Mother”·

= Subscribers only.
Sign in here.
Subscribe here.

Article

561-576 PDF

Mountain passes of the Cumberland·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

576-581 PDF

Her heart’s desire·

= Subscribers only.
Sign in here.
Subscribe here.

Article

581-592 PDF

Harvard University in 1890·

= Subscribers only.
Sign in here.
Subscribe here.

Article

593-607 PDF

The social side of yachting·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

608-621 PDF

The stone axe·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

621 PDF

Calliste·

= Subscribers only.
Sign in here.
Subscribe here.

Article

622-631 PDF

The wild garden·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

632 PDF

A window study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

633-634 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

633-638 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

634-635 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

635-637 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

637-638 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

638-639 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

638-643 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

639-641 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

641 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

641-642 PDF

– (IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

642 PDF

– (V)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

642-643 PDF

– (VI)·

= Subscribers only.
Sign in here.
Subscribe here.

Monthly record of current events

643-644 PDF

Monthly record of current events·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

644-645 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

644-648 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

Bobtail kept his seat·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

Café reflections·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

Accommodations for his staff·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

The Scotch butler·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

A pleasing reunion·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

646 PDF

Not an apt illustration·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

Knew him well·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

A day-dream·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

647 PDF

A correction·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

My favorites·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

Pease and needles·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

A story of Josh Billings·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

His long head·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

648 PDF

The poet’s jest·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today