= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1892 / December | View All Issues |

December 1892

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

2, 115-119 PDF

Crazy wife’s ship·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Article

3-17 PDF

A new light on the Chinese·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

18-19 PDF

Tryste noel·

= Subscribers only.
Sign in here.
Subscribe here.

Drama

20-40 PDF

Giles Corey, yeoman·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

41-57 PDF

A Christmas party·

= Subscribers only.
Sign in here.
Subscribe here.

Article

57-71 PDF

Some types of the Virgin·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

71-76 PDF

Nourmadee·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

76-85 PDF

Fan’s mammy·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

85-115 PDF

Le réveillon·

= Subscribers only.
Sign in here.
Subscribe here.

A Christmas tale

Poetry

119 PDF

The mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

120-123 PDF

Do seek their meat from God·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

124-129 PDF

Lord Bateman: a ballad·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

124-129 PDF

Lord Bateman·

= Subscribers only.
Sign in here.
Subscribe here.

A ballad

Article

124-129 PDF

Comment·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

130-132 PDF

The cameo. Rome, A.U.C. 722·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

130-135 PDF

A cameo and a pastel·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

132-135 PDF

The pastel. New York. A.D. 1892·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

135-146 PDF

How Lin McLean went East·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

147 PDF

In the marsh-land·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

147 PDF

Camilla’s snuff-box·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

147-148 PDF

Pastels in prose·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

147-148 PDF

Shadows·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

148 PDF

Death·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

148-149 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

148-153 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

149-150 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

150-151 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

151-153 PDF

– (IV-V)·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

154 PDF

The dancing man of the period·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-157 PDF

Charlie Whittler’s Christmas party·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-162 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

After the dinner·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158 PDF

Christmas at Zenith City·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

A wise young woman·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

A guessing match·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

A new scheme·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Christmas at the Peters farm·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

A Christmas card·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

It calls for sympathy·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

For the rehabilitation of Christmas·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

1 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today