= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1897 / November | View All Issues |

November 1897

Literary notes

1-2 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.


Literary notes

1-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

2-3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3-4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

812, 832-851 PDF

A pair of patient lovers·

= Subscribers only.
Sign in here.
Subscribe here.

Article

813-831 PDF

With the Greek soldiers·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

831 PDF

After long years·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

851-865 PDF

Spanish John (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

866-878 PDF

The city to the north of “town”·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

878-889 PDF

Joshua Goodenough’s old letter·

= Subscribers only.
Sign in here.
Subscribe here.

Article

890-898 PDF

The new Japan·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

899-914 PDF

The great stone of Sardis (chaps. XXIII-XXV)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

915-924 PDF

The pardon of Sainte-Anne D’Auray in Brittany·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

924 PDF

Nansen·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

925-928 PDF

Who made the match?·

= Subscribers only.
Sign in here.
Subscribe here.

Article

930-942 PDF

The century’s progress in biology·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

942-952 PDF

Number 1523·

= Subscribers only.
Sign in here.
Subscribe here.

Article

952-959 PDF

Daniel Webster·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

959 PDF

A little brother of the fields·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

960-961 PDF

– (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

960-964 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

961-962 PDF

– (II)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

962-963 PDF

– (III)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

963-964 PDF

– (IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

965-969 PDF

The quarter loaf·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

965-972 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

970-971 PDF

The long-suffering Scandinavian·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

971 PDF

Not proficient·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

Would not call him crooked·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

Webster and the tailor·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

972 PDF

Ellen and her lamb·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

1 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

3 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Literary notes

4 PDF

Literary notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today