= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1901 / August | View All Issues |

August 1901

Fiction

328-340 PDF

The cleansing of the lie·

= Subscribers only.
Sign in here.
Subscribe here.


Poetry

340 PDF

Banditti·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

341-343 PDF

The wonder of the world·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

358-368 PDF

A pilgrim·

= Subscribers only.
Sign in here.
Subscribe here.

Article

369-374 PDF

A hundred years’ war of to-day·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

374-386 PDF

The princess and the poet·

= Subscribers only.
Sign in here.
Subscribe here.

Article

387-392 PDF

The birth and death of the moon·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

393-400 PDF

Liebchen·

= Subscribers only.
Sign in here.
Subscribe here.

A tale of two men, a sentimental whale, and a hen

Poetry

400 PDF

Song·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

402-415 PDF

The cast of the apple·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

415-418 PDF

The boy·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

418-442 PDF

The right of way (part VIII, chaps. LI-LXI)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

443-445 PDF

August days·

= Subscribers only.
Sign in here.
Subscribe here.

Article

446-448 PDF

The English of the English·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

449-458 PDF

An old country house·

= Subscribers only.
Sign in here.
Subscribe here.

Article

459-464 PDF

An old London folk tale·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

474-480 PDF

The imp disposes·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

481 PDF

The withered rose·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

483-489 PDF

The passing of a shadow·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

489 PDF

Blind·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

490 PDF

The dream-child·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

490-495 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

490-495 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

495-498 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

495-498 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

499-501 PDF

In the country·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

499-506 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

502 PDF

The dustin’ tune·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

502 PDF

Hardly accurate·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

502 PDF

Larceny by Mr. Scruggs·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

502 PDF

Slightly negative·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

502 PDF

Taken at her word·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

503 PDF

The butterfly–a contrast·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

504 PDF

Will they allow the youngster to pass?·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

504-505 PDF

Light on ants·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

505 PDF

The dangers of rest·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

505 PDF

Careful Grandmamma·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

506 PDF

The codfish and the maiden·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today