= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1906 / December | View All Issues |

December 1906

illustration

2 PDF

Pictures from Thackeray–Becky Sharp and Lord Steyne·

= Subscribers only.
Sign in here.
Subscribe here.


Fiction

15--26 PDF

Little-girl-afraid-of-a-dog·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

27-29 PDF

The man and his rose-garden·

= Subscribers only.
Sign in here.
Subscribe here.

Article

30-41 PDF

The Tiber·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

42-56 PDF

What the donkey did·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

56 PDF

The cap of darkness·

= Subscribers only.
Sign in here.
Subscribe here.

Article

57-58 PDF

Hunting the deceitful turkey·

= Subscribers only.
Sign in here.
Subscribe here.

Article

59-63 PDF

The intelligence of the flowers (I)·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

63 PDF

Withdrawn·

= Subscribers only.
Sign in here.
Subscribe here.

Drama

64-69 PDF

After the wedding·

= Subscribers only.
Sign in here.
Subscribe here.

Article

70-75 PDF

The mind of a child·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

76-78, f78, 79-80, f80, 81-84 PDF

Wainright and the little gods·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

84 PDF

Edax rerum·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

85-90, f90, 91-94, f94, 95-97 PDF

The weavers·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. VII-IX)

Poetry

97 PDF

The sign·

= Subscribers only.
Sign in here.
Subscribe here.

Article

98, f98 PDF

A portrait by Sir Joshua Reynolds·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

99-106 PDF

The magnetic hearth·

= Subscribers only.
Sign in here.
Subscribe here.

Article

107-114 PDF

Lincoln as I knew him·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

115-118, f118, 119-120 PDF

Achilles goes to Chicago·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

120 PDF

The night-watch·

= Subscribers only.
Sign in here.
Subscribe here.

Article

121-130 PDF

New Orleans·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

131-138, f138, 139-140, f140, 141-142 PDF

The informer·

= Subscribers only.
Sign in here.
Subscribe here.

Article

143-146 PDF

Jeffreys of the Bloody Assizes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

147-150, f150, 151-152, f152, 153-154 PDF

The tenson·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

154 PDF

The clue·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

155-158 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

155-158 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

159-162 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

159-162 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

163-166 PDF

Beverly’s circulating cattery·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

163-170 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

166 PDF

An inherited failing·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

167 PDF

The original side-show·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

167 PDF

Just the same·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

167 PDF

Amended gems from Shakespeare·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

167 PDF

Just struck him·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

Hot and cold·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

An engagement·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

Incompetent·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

Helpful·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

A rainy day·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

168 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

169 PDF

Informal·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

169 PDF

Too literal·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

169 PDF

After you, my dear Mr. Stork·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

169 PDF

A little declaration of independence·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

169 PDF

Washout·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

170 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

170 PDF

The elocutionist’s curfew·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today