= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1911 / February | View All Issues |

February 1911

Fiction

326, 337-343 PDF

His desk·

= Subscribers only.
Sign in here.
Subscribe here.


Article

327-336 PDF

General Lee as I knew him·

= Subscribers only.
Sign in here.
Subscribe here.

Article

344-355 PDF

The Orkney Islands·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

355 PDF

The violets’ leaves·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

356-369 PDF

The chaperon·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

369 PDF

Twilight·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

370-380 PDF

Célimène’s diamonds·

= Subscribers only.
Sign in here.
Subscribe here.

Article

381-386 PDF

Camphor·

= Subscribers only.
Sign in here.
Subscribe here.

An industry revolutionized

Fiction

387-400 PDF

The iron woman·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. XI-XIII)

Poetry

400 PDF

The dead Magdalen·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

401-406 PDF

Anne–just a plain woman·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

406 PDF

Separation·

= Subscribers only.
Sign in here.
Subscribe here.

Article

407-418 PDF

Baltimore·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

419 PDF

His face·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

420-431 PDF

Eileen·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

431 PDF

Interval·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

437 PDF

The flight of man·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

438-450 PDF

The hero·

= Subscribers only.
Sign in here.
Subscribe here.

Article

451-462 PDF

The first Americans·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

463-470 PDF

A stitch in time·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

471-474 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

471-474 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

475-478 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

475-478 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479-481 PDF

The boy and the law·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

479-486 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

481 PDF

The price of greatness·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

482 PDF

A gentleman·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

482 PDF

Just as he thought·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

482 PDF

Plausible explanation·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

482 PDF

At last·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

482 PDF

Inexperienced young wife·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

483 PDF

The puppy·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

483 PDF

Easily repaired·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

483 PDF

Untactful·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

483 PDF

Good and bad kittens·

= Subscribers only.
Sign in here.
Subscribe here.

Collection, Editor’s drawer

483 PDF

A kitten’s garden of verses·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

484 PDF

A change of name·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

484 PDF

A question of sanity·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

484 PDF

Diverse tactics·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

484 PDF

His punishment·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

484 PDF

“Lead us not into temptation”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

485 PDF

It might have been·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

485 PDF

Hubby’s marketing·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

485 PDF

Why?·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

485 PDF

Her fault·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

486 PDF

The modern highwayman·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

486 PDF

Winter-time·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today