= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1911 / June | View All Issues |

June 1911

illustration

2 PDF

William Makepeace Thackeray·

= Subscribers only.
Sign in here.
Subscribe here.


Collection

2-19 PDF

Cockney travels·

= Subscribers only.
Sign in here.
Subscribe here.

Article

4-19 PDF

Cockney travels·

= Subscribers only.
Sign in here.
Subscribe here.

A hitherto unpublished narrative

Fiction

20-30 PDF

May Iverson writes a play·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

30 PDF

A cry·

= Subscribers only.
Sign in here.
Subscribe here.

Article

31-37 PDF

Hospital social service·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

38-49 PDF

The cup we must drink·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

49 PDF

Unsatisfied·

= Subscribers only.
Sign in here.
Subscribe here.

Article

50-58 PDF

The greenest of deserts·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

59-65 PDF

Silver poplin·

= Subscribers only.
Sign in here.
Subscribe here.

Article

66-76 PDF

Without benefit of German·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

77-85 PDF

The island·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

85 PDF

The earth-bond·

= Subscribers only.
Sign in here.
Subscribe here.

Article

86-99 PDF

Miss Van Lew·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

99-100 PDF

“And the sea gave up the dead”·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

101-109 PDF

The extra thousand·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

110-126 PDF

The iron woman·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. XXV-XXVIII)

Fiction

127-132 PDF

The carrier·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

138-147 PDF

The real birthday of Dorante·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

147 PDF

The earth mother·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

148-151 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

148-151 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

152-154 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

152-154 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-157 PDF

Full of sentiment·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-162 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

157 PDF

Too soon to tell·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158-159 PDF

Following Little Boy Blue·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

The sagacious hogs·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

How to do it·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

Cranking up·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

A fitting selection·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Domestic fractions·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

The long-suffering conductor·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

What held ‘em up·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

The barnyard budget·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Observing the proprieties·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

A tragedy of moving-day·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

The art of elocution·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today