= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1912 / June | View All Issues |

June 1912

Article

2-15 PDF

“London by the sea”·

= Subscribers only.
Sign in here.
Subscribe here.


Poetry

15 PDF

Transgression·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

16-27 PDF

The silver pencil·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

27 PDF

Life is an echo·

= Subscribers only.
Sign in here.
Subscribe here.

Article

28-36 PDF

Some unsolved problems in science·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

37-42 PDF

Mrs. Kilborn’s sister·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

42 PDF

The dark·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

43-50 PDF

The pitcher of romance·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

51-70 PDF

The street called Straight·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. XIX-XXI)

Fiction

71-83 PDF

The heart’s desire·

= Subscribers only.
Sign in here.
Subscribe here.

Article

84-95 PDF

Your United States (third paper)·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

95 PDF

“They also serve”·

= Subscribers only.
Sign in here.
Subscribe here.

Article

96-98 PDF

The planet Venus and its problems·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

98 PDF

The call·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

99-103 PDF

The stolen dream·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

103 PDF

Song·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

120-127 PDF

Long pants·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

127 PDF

A little song of love and death·

= Subscribers only.
Sign in here.
Subscribe here.

Article

128-139 PDF

The great Queen Isabella·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

140-147 PDF

They that mourn·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

148-151 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

148-151 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

152-154 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

152-154 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-158 PDF

Philip the fly·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

155-162 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

158 PDF

When Phyllis drives·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

Uncle Jonathan decides not to leave his money to charity·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

Dangers of the profession·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

Couldn’t go·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

Still profitable·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

159 PDF

What every woman knows·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

She remembered·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Unworthy·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

Examples of ambidexterity·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

He knew·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

160 PDF

The pooh-pooh bird·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

An official epitaph·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Little Dick’s tragedy·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

161 PDF

Why he came·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

Sewing her wild oats–on her hat·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

Her family·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

Wanted the cork back·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

162 PDF

A duty·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today