= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1914 / April | View All Issues |

April 1914

Fiction

650, 714-730, f730, 731 PDF

The price of love·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. IX-X)


Fiction

662-673 PDF

The back door·

= Subscribers only.
Sign in here.
Subscribe here.

Article

674-680 PDF

What is gravity?·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

681-682, f682, 683-686, f686, 687-689 PDF

Stranlagh of the Gold Coast·

= Subscribers only.
Sign in here.
Subscribe here.

Article

690-698 PDF

Shall we standardize our diplomatic service?·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

699-703 PDF

Along the Thames at London: a group of impressions·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

700 PDF

A crowded alley leading to the waterside·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

701 PDF

Cargoes from distant lands·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

702 PDF

The pool·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

703 PDF

Barges at low tide–Lambeth Bridge·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

704-713 PDF

Daniel and little Dan’l·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

732-737 PDF

Aunt Elizabeth·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

737 PDF

Night song at Amalfi·

= Subscribers only.
Sign in here.
Subscribe here.

Article

738-748 PDF

A survival of matriarchy·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

749-756 PDF

The toad and the jewel·

= Subscribers only.
Sign in here.
Subscribe here.

Article

757-766 PDF

The mystery of the Yucatan ruins·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

767-777 PDF

The Confidential Doll Insurance Co.·

= Subscribers only.
Sign in here.
Subscribe here.

Article

778-784 PDF

Writing English·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

785-795 PDF

The Crosbys’ rest cure·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

796-799 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

796-799 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

800-802 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

800-802 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

803-805 PDF

The suit-case·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

803-810 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

805 PDF

Rebuffed·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

805 PDF

Both·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

806 PDF

Getting acquainted·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

806 PDF

The cult of the guest-room·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

Misunderstood·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

No tax on this·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

A solution·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

Unexpected·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

Reversing the code·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

Something new·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

807 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Cause for an investigation·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

College style·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Fletcherism at the zoo·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Association of ideas·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Regret·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

Not waterproof·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

The same source·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

He had suffered·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

The pot hunter·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

Too much for him·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

810 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

810 PDF

Who’s who in the nursery·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today