= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1914 / October | View All Issues |

October 1914

Fiction

650, 715-728, f728, 729 PDF

The turmoil·

= Subscribers only.
Sign in here.
Subscribe here.

A novel (chaps. IX-XI)


Article

651-658, f658, 659-660 PDF

Baden-Baden·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

661-662, f662, 663-671 PDF

Mr. Durgan and Violet·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

676-686 PDF

Cousin Paul·

= Subscribers only.
Sign in here.
Subscribe here.

Article

687-696 PDF

Our unknown guest·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

696 PDF

A prayer·

= Subscribers only.
Sign in here.
Subscribe here.

Article

697-706 PDF

When the city wakes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

707-708, f708, 709-712, f712, 713-714 PDF

The long chamber·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

730-739 PDF

The flaming ramparts·

= Subscribers only.
Sign in here.
Subscribe here.

Article

740-751 PDF

In an old-time state capital (second paper)·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

751 PDF

The ghosts·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

752-756, f756, 757-760, f760, 761-762 PDF

The six-day sharp-shooter·

= Subscribers only.
Sign in here.
Subscribe here.

Article

763-774 PDF

A diplomat’s wife in Paris·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

775-780, f780, 781-782 PDF

Miss Clara’s Perseus (a story in two parts–II)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

783-789 PDF

At the absolute zero·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

790-794, f794, 795 PDF

The boy at the window·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

796-799 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

796-799 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

800-802 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

800-802 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

803-807 PDF

Nipper’s crowded hour·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

803-810 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

For keeps·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

Two at least·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

A settlement·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

In the hall·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

808 PDF

An “oozer”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

A perplexing question·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

A problem·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

Why father was silent·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

809 PDF

The spoilers·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

810 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

810 PDF

Revisiting·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today