= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1916 / November | View All Issues |

November 1916

Article

801-813 PDF

Two mid-Atlantic isles·

= Subscribers only.
Sign in here.
Subscribe here.


Fiction

814-816, f816, 817-824, f824, 825 PDF

Emma Blair·

= Subscribers only.
Sign in here.
Subscribe here.

Article

826-840 PDF

The adventure of the many dishes·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

841-844, f844, 845-848, f848, 849-850 PDF

The things that are Cæsar’s·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

850 PDF

Thy hands·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

851-855 PDF

The rebuilding of a great city·

= Subscribers only.
Sign in here.
Subscribe here.

A series of pictures

Fiction

856-861 PDF

The band·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

861 PDF

The star dreamer·

= Subscribers only.
Sign in here.
Subscribe here.

Article

862-869 PDF

The dream of universal peace·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

869 PDF

When I am very old·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

870-882 PDF

The mirror of silence·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

882 PDF

The door-harp·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

Frontispiece, 883-892 PDF

The mysterious stranger·

= Subscribers only.
Sign in here.
Subscribe here.

A romance (part VII)

Poetry

892 PDF

His temples·

= Subscribers only.
Sign in here.
Subscribe here.

Article

893-908 PDF

We discover the Old Dominion (part IV)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

909-916 PDF

Barbara buys a bonnet·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

917-920, f920, 921-922, f922, 923-924 PDF

They also serve·

= Subscribers only.
Sign in here.
Subscribe here.

Article

925-928 PDF

Industrial efficiency and political waste·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

929-936 PDF

Day of wrath·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

937 PDF

The children’s isle·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

938-941 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

938-941 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

942-944 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

942-944 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

945-947 PDF

The Quarrelsome Club·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

945-952 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

948 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

948 PDF

A compliment·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

948 PDF

Poor Patrick!·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

948 PDF

No names!·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

948 PDF

A bad job·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

949 PDF

The age of chivalry·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

949 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

Alone in the desert·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

Coals to Newcastle·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

Unfair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

She couldn’t see how·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

An unhappy inference·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

950 PDF

A hard world·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

951 PDF

Ballad of the wandering umberell·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

951 PDF

The optimist·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Flyin’ away·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Looking into the future·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Surprised·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Reductions·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

952 PDF

Well posted·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today