= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1918 / January | View All Issues |

January 1918

Article

161-175 PDF

A writer’s recollections (part I)·

= Subscribers only.
Sign in here.
Subscribe here.


Fiction

176-182, f182, 183-186, f186, 187 PDF

“Goddess-size”·

= Subscribers only.
Sign in here.
Subscribe here.

Article

188-194 PDF

America’s armada in the making·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

Frontispiece, 195-204, f204, 205-207 PDF

Solitaire·

= Subscribers only.
Sign in here.
Subscribe here.

Article

208-219 PDF

Havana in the sunshine·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

220, f220, 221-226, f226, 227-228 PDF

Sinjinn, surviving·

= Subscribers only.
Sign in here.
Subscribe here.

Article

229-238 PDF

The twilight of genius·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

239-248 PDF

Foul deeds·

= Subscribers only.
Sign in here.
Subscribe here.

Article

249-256 PDF

With the guns·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

256 PDF

Communion·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

257-262 PDF

A reluctant hero·

= Subscribers only.
Sign in here.
Subscribe here.

Article

263-275 PDF

Our wild animal neighbors·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

276-286 PDF

A round trip to crime·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

286 PDF

The open path·

= Subscribers only.
Sign in here.
Subscribe here.

Article

287-298 PDF

On foot through Japan·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

299-301 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

299-301 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

302-304 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s study

302-304 PDF

Editor’s study·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

305-307 PDF

The ballad of the true sportsman·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

305-312 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

307 PDF

Tact·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

307 PDF

She lacked experience·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

Masculine tact·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

It pays to advertise·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

Sanitary·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

Observing the preliminaries·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

308 PDF

Work for the constable·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

Sure to remember·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

Looking for trouble·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

An inducement·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

Similar financial conditions·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

The home team·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

309 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

Family pride·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

A long trip·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

All the same·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

Her excuse·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

A butter-in·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

Quality, not quantity·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

310 PDF

Untrained·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Master Malaprop·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Company oleo·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Nautical·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Near-spheres·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Handy things to have·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Still a mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

None on hand·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Where nature fails·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

311 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

312 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

312 PDF

How she would find it out·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

312 PDF

Too late to change·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

312 PDF

Rapid transit·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

312 PDF

A dangerous combination·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today