= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1919 / July | View All Issues |

July 1919

Article

145-159 PDF

Through Germany on foot·

= Subscribers only.
Sign in here.
Subscribe here.

Part I.–On to the Rhine


Poetry

159 PDF

Life’s loveliness·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

160-173 PDF

“Anonymous, ’71″·

= Subscribers only.
Sign in here.
Subscribe here.

Article

174-181 PDF

The new nationalism and education·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

182-190, f190, 191-192 PDF

Shining armor·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

204-216 PDF

The deeper vision·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

216 PDF

Desiderium·

= Subscribers only.
Sign in here.
Subscribe here.

illustration

217-224 PDF

American capitals of industry·

= Subscribers only.
Sign in here.
Subscribe here.

A series of drawings

Poetry

233 PDF

Time hath no lance to wound her·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

Frontispiece, 234-243 PDF

His fiancée·

= Subscribers only.
Sign in here.
Subscribe here.

Article

244-255 PDF

My capture and escape·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

255 PDF

Quincunx·

= Subscribers only.
Sign in here.
Subscribe here.

Article

256-263 PDF

The reconstruction of Northern France·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

264-276 PDF

Mr. Blue, kidnapper·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

276 PDF

No more·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

277 PDF

The lion’s mouth·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

277-279 PDF

Fits and starts·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

279-280 PDF

Psyche·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

280-282 PDF

Youth and old age·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

282-284 PDF

Ah Ming·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

284 PDF

“What flavor?”·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

284-285 PDF

Naming the canary·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

285 PDF

The case of Van Brunt·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

286-288 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

286-288 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

289-292 PDF

An amateur investor·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

289-296 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

293 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

293 PDF

A paying job at last·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

293 PDF

No pressing need·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

293 PDF

Getting even·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

293 PDF

Spring poetry·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

294 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

294 PDF

He got it, anyway·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

294 PDF

Too heavy a fine·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

294 PDF

An ornithological problem·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

294 PDF

The poet’s pearl·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

Thoughtless mice·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

Tenantless·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

A detective mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

The reason·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

A skeptical jury·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

What suggested it·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

295 PDF

“The twilight of the gods”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

296 PDF

“Getting back to a peace basis”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

296 PDF

The defection of Allah·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

296 PDF

Spring planting·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today