= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1920 / March | View All Issues |

March 1920

Article

433-441 PDF

Dramatic scenes in my career in Congress·

= Subscribers only.
Sign in here.
Subscribe here.

II.–When Reed counted a quorum


Fiction

442-450 PDF

The mystery of Célestine·

= Subscribers only.
Sign in here.
Subscribe here.

Article

451-459 PDF

War, best friend of disease·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

460-464, f464, 465-472, f472, 473-476 PDF

The porch of the maidens·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

476 PDF

Meed·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

488-500 PDF

Food for the Minotaur·

= Subscribers only.
Sign in here.
Subscribe here.

Article

501-507 PDF

This simian world·

= Subscribers only.
Sign in here.
Subscribe here.

Article

508-519 PDF

The sublimated savage Fijian·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

519 PDF

The galleons·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

Frontispiece, 520-528, f528, 529-536 PDF

The judgment of Vulcan·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

536 PDF

Remembrance·

= Subscribers only.
Sign in here.
Subscribe here.

Article

537-543 PDF

The menace of race hatred·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

544-550, f550, 551-556, f556, 557 PDF

Civilization·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

558-559 PDF

The shifted standard·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

559 PDF

Samples·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

559-560 PDF

Intimate travel article·

= Subscribers only.
Sign in here.
Subscribe here.

We discover Rusti

Collection, The lion’s mouth

559-562 PDF

Samples·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

562-563 PDF

Progress·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

563-564 PDF

The splendid worry·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

564-565 PDF

The reticence of ignorance·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

566-568 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

566-568 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

569-570 PDF

The bandicoot·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

569-576 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

570 PDF

Verb or noun·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

570 PDF

Couldn’t prescribe for him·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

570 PDF

A new variety·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

571 PDF

No wish-bone·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

571 PDF

Nothing serious·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

571 PDF

Hygiene in the animal kingdom·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

571 PDF

A difficult query·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

571 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

He knew·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

Pride unjustified·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

Inquisitive Isabel·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

In commercial terms·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

572 PDF

Mathematics up to date·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

573 PDF

Home touches·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

573 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

574 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

574 PDF

Useless supplies·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

574 PDF

Social strategy·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

574 PDF

Civilizing Clara·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

574 PDF

A warning·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

575 PDF

A new dish·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

575 PDF

There’s a reason·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

575 PDF

A novel motion·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

575 PDF

“A Sabbath Day’s journey”·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

575 PDF

Willy’s mathematics·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

576 PDF

Easier to live with·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

576 PDF

The fatal favor·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

576 PDF

Mass. and mass·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

576 PDF

Seeking divine aid·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

576 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today