= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1921 / September | View All Issues |

September 1921

Fiction

f409, 466-478 PDF

The role of Madame Ravelles·

= Subscribers only.
Sign in here.
Subscribe here.


Fiction

409-422 PDF

A voice in the hall·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

422 PDF

Codicil to a will·

= Subscribers only.
Sign in here.
Subscribe here.

Article

423-428 PDF

Lloyd George·

= Subscribers only.
Sign in here.
Subscribe here.

An intimate portrait

Poetry

428 PDF

Vestigia·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

429-445 PDF

The Maison Cadwallader·

= Subscribers only.
Sign in here.
Subscribe here.

Article

446-454 PDF

Michelangelo in Newark·

= Subscribers only.
Sign in here.
Subscribe here.

Article

455-465 PDF

Fireflies and woodland voices·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

478 PDF

The ultimate harvest·

= Subscribers only.
Sign in here.
Subscribe here.

Article

479-484 PDF

What nobody ought to know·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

484 PDF

Yellow leaves·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

495 PDF

Walled gardens·

= Subscribers only.
Sign in here.
Subscribe here.

Article

496-497 PDF

A portrait by Nattier·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

510 PDF

Gaudeamus·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

511 PDF

The double·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

512-524 PDF

Brothers·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

524 PDF

Heliotrope·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

525-527 PDF

The rat with the silver bell·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

527-528 PDF

The seamy side of conducting·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

528-532 PDF

The lure of the handbook·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

533-536 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

533-536 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

537-540 PDF

Mrs. Meacham buys a new hat·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

537-544 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

540 PDF

Birds of a feather·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

540 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

541 PDF

That annoying squeak·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

541 PDF

Only renovated·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

541 PDF

A youthful Sherlock Holmes·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

541 PDF

A diplomatic husband·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

541 PDF

Interpreted·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

542 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

542 PDF

Natural history in Congress·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

542 PDF

Too lavish a compliment·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

542 PDF

Hurrying matters·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

542 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

543 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

543 PDF

Convincing evidence·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

543 PDF

A long journey·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

543 PDF

Wrongly catalogued·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

543 PDF

Easing his conscience·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

544 PDF

In Madagascar·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

544 PDF

Worship à la mode·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

544 PDF

A gratuitous protest·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

544 PDF

“A classic of the eighties”·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

“In Season 5 of Louie (FX), Louie is a new kind of superhero. Like Wonder Woman, the canonical superhero he most resembles, Louie’s distinctive superpower is love.”
Illustration by Demetrios Psillos
Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

On a Friday evening in January, a thousand people at the annual California Native Plant Society conference in San Jose settled down to a banquet and a keynote speech delivered by an environmental historian named Jared Farmer. His chosen topic was the eucalyptus tree and its role in California’s ecology and history. The address did not go well. Eucalyptus is not a native plant but a Victorian import from Australia. In the eyes of those gathered at the San Jose DoubleTree, it qualified as “invasive,” “exotic,” “alien” — all dirty words to this crowd, who were therefore convinced that the tree was dangerously combustible, unfriendly to birds, and excessively greedy in competing for water with honest native species.

In his speech, Farmer dutifully highlighted these ugly attributes, but also quoted a few more positive remarks made by others over the years. This was a reckless move. A reference to the tree as “indigenously Californian” elicited an abusive roar, as did an observation that without the aromatic import, the state would be like a “home without its mother.” Thereafter, the mild-mannered speaker was continually interrupted by boos, groans, and exasperated gasps. Only when he mentioned the longhorn beetle, a species imported (illegally) from Australia during the 1990s with the specific aim of killing the eucalyptus, did he earn a resounding cheer.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A tourism company in Australia announced a service that will allow users to take the “world’s biggest selfies,” and a Texas man accidentally killed himself while trying to pose for a selfie with a handgun.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today