= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1922 / January | View All Issues |

January 1922

Article

137-151 PDF

My boyhood (part I)·

= Subscribers only.
Sign in here.
Subscribe here.


Poetry

151 PDF

The white thought·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

152-166 PDF

Many intentions·

= Subscribers only.
Sign in here.
Subscribe here.

Article

167-174 PDF

Arms and the instincts·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

174 PDF

Asked of my age·

= Subscribers only.
Sign in here.
Subscribe here.

Article

175-186 PDF

What Patricia heard from Tokio (part II)·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

Frontispiece, 187-200 PDF

Realities·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

200 PDF

Old selves·

= Subscribers only.
Sign in here.
Subscribe here.

Article

201-215 PDF

Some impressions of Portugal·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

216-226 PDF

The feast·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

226 PDF

A new anthology·

= Subscribers only.
Sign in here.
Subscribe here.

Article

227-233 PDF

Electricity and civilization·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

233 PDF

Tigers·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

234-244 PDF

The god from the shelf·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

244 PDF

On the train·

= Subscribers only.
Sign in here.
Subscribe here.

Article

245-252 PDF

Imagination in selling·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

252 PDF

Voyagers·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

253-255 PDF

Armadas in miniature·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

255-257 PDF

Newspaperese·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

257 PDF

Catullus confesses·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

257-260 PDF

Free speech·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

261-264 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

261-264 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

265-269 PDF

Barnaby’s fox hunt·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

265-272 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

269 PDF

Mitigating circumstances·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

269 PDF

Getting her hand in·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

270 PDF

Due warning·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

270 PDF

Signs of splendor·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

270 PDF

Compensation·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

270 PDF

A zoölogical mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

270 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

271 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

271 PDF

Applied psychology·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

271 PDF

Local pride·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

271 PDF

History’s slow advance·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

Editor’s drawer·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

A help to the barber·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

A vegetable mystery·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

A wise precaution·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

A considerate musician·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s drawer

272 PDF

A hydra-headed criminal·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today