= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1925 / January | View All Issues |

January 1925

illustration

Front cover PDF

Tosca in orange·

= Subscribers only.
Sign in here.
Subscribe here.


Fiction

141-157 PDF

Wavering gold·

= Subscribers only.
Sign in here.
Subscribe here.

Article

158-161 PDF

Shall we pray?·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

161 PDF

Romance·

= Subscribers only.
Sign in here.
Subscribe here.

Article

162-168 PDF

The coming eclipse·

= Subscribers only.
Sign in here.
Subscribe here.

And some others, on this and other planets

Fiction

169-175 PDF

Sons·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

175 PDF

Philosophy·

= Subscribers only.
Sign in here.
Subscribe here.

Article

Frontispiece, 176-187 PDF

Baedeker fibbed·

= Subscribers only.
Sign in here.
Subscribe here.

Adventures in Cherbourg

Fiction

196-208 PDF

Mrs. Eben Paul·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

208 PDF

Dreams·

= Subscribers only.
Sign in here.
Subscribe here.

Article

209-212 PDF

A gentle passion for mending things·

= Subscribers only.
Sign in here.
Subscribe here.

Article

213-222 PDF

Humanity at Palm Beach·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

244 PDF

Portrait of a hostess·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

244-246 PDF

Virginia Violet, Preferred·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

246-247 PDF

On borrowing plumes·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

247-249 PDF

The prince and the paradox·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

250-253 PDF

And now a new deal·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

250-253 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Notice

254-257 PDF

1925·

= Subscribers only.
Sign in here.
Subscribe here.

A forecast

Personal and otherwise

259-260 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

260 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

260 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

260 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

Front cover, 260 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today