= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1929 / August | View All Issues |

August 1929

illustration

Frontispiece PDF

Jean Marie·

= Subscribers only.
Sign in here.
Subscribe here.


Article

265-276 PDF

The animal ideal in America·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

277-293 PDF

The centipede·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

293 PDF

Loneliness·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

301-306 PDF

Round trip·

= Subscribers only.
Sign in here.
Subscribe here.

Article

307-315 PDF

The fight for glory·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

316-330 PDF

Quicksilver·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

330 PDF

Ship model·

= Subscribers only.
Sign in here.
Subscribe here.

Article

331-339 PDF

To picnic in Fez·

= Subscribers only.
Sign in here.
Subscribe here.

Article

340-347 PDF

Laid off at forty·

= Subscribers only.
Sign in here.
Subscribe here.

Article

348-353 PDF

In defense of selfishness·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

354-360 PDF

Jolly boy·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

360 PDF

Song·

= Subscribers only.
Sign in here.
Subscribe here.

Article

361-369 PDF

Diet and appetite·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

370-373 PDF

The sausage·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

374 PDF

The rose hat·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

374 PDF

The fog is rolling over·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

374-375 PDF

Four poems·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

375 PDF

Encounter·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

375 PDF

Under the rose·

= Subscribers only.
Sign in here.
Subscribe here.

Article

376-382 PDF

Paradise·

= Subscribers only.
Sign in here.
Subscribe here.

American plan

The lion’s mouth

383-385 PDF

1929 rules for garden hosing·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

385-388 PDF

The psychology of tripe·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

389-392 PDF

Current maladies·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

389-392 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

393-394 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

395 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

395 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

395-396 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

396 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today