= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1931 / October | View All Issues |

October 1931

illustration

Frontispiece PDF

Island horses·

= Subscribers only.
Sign in here.
Subscribe here.


Personal and otherwise

1-2 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

2, 4 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

4, 6 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Article

513-522 PDF

Happy days will come again·

= Subscribers only.
Sign in here.
Subscribe here.

A prospectus of the next boom

Fiction

523-532 PDF

The tin Velasquez·

= Subscribers only.
Sign in here.
Subscribe here.

Article

533-541 PDF

Should parents tell all?·

= Subscribers only.
Sign in here.
Subscribe here.

Article

542-549 PDF

What about the lawyers?·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

549 PDF

Youth in these days·

= Subscribers only.
Sign in here.
Subscribe here.

Article

563-574 PDF

Poets talking to themselves·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

575-583 PDF

The basket·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

583 PDF

Some day when you’ve forgotten me·

= Subscribers only.
Sign in here.
Subscribe here.

Article

584-593 PDF

The geometry of mind·

= Subscribers only.
Sign in here.
Subscribe here.

An interpretation of Gestalt psychology

Poetry

593 PDF

One voyage more·

= Subscribers only.
Sign in here.
Subscribe here.

Article

594-602 PDF

The handout magnificent·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

603-607 PDF

Think of the stars·

= Subscribers only.
Sign in here.
Subscribe here.

Article

608-617 PDF

Drowning in oil·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

629-632 PDF

Travel snobs·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

632-634 PDF

The messenger of evil·

= Subscribers only.
Sign in here.
Subscribe here.

The lion’s mouth

634-636 PDF

Train time·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

637-640 PDF

Concerning Mr. Wickersham·

= Subscribers only.
Sign in here.
Subscribe here.

Editor’s easy chair

637-640 PDF

Editor’s easy chair·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

4 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

6 PDF

Personal and otherwise·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today