= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1959 / March | View All Issues |

March 1959

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

6, 8, 10, 12 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Personal and otherwise

28-29 PDF

Among our contributors·

= Subscribers only.
Sign in here.
Subscribe here.

Ashes on our heads

Article

31-36 PDF

The pretty Americans·

= Subscribers only.
Sign in here.
Subscribe here.

How wives behave overseas

Article

36 PDF

Love on Madison Avenue·

= Subscribers only.
Sign in here.
Subscribe here.

Article

37-39 PDF

File and forget·

= Subscribers only.
Sign in here.
Subscribe here.

Article

40-42, 47-49 PDF

What a modern Catholic believes·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

48 PDF

Well, that’s that·

= Subscribers only.
Sign in here.
Subscribe here.

Article

50-55 PDF

The Wall Street Journal woos the eggheads·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

58 PDF

Old world dialogue·

= Subscribers only.
Sign in here.
Subscribe here.

Article

64-66 PDF

The happy cardiac·

= Subscribers only.
Sign in here.
Subscribe here.

Article

Front cover, 67-71 PDF

Scott Fitzgerald in Hollywood·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

71 PDF

Philander musing·

= Subscribers only.
Sign in here.
Subscribe here.

Article

72-78, 81 PDF

Waste not, have not·

= Subscribers only.
Sign in here.
Subscribe here.

A clue to American prosperity

Fiction

82-87 PDF

Eagle day·

= Subscribers only.
Sign in here.
Subscribe here.

A story

Article

88-91 PDF

The elegant professional who is running England·

= Subscribers only.
Sign in here.
Subscribe here.

Mr. Harper’s after hours

92 PDF

The librarian’s friend·

= Subscribers only.
Sign in here.
Subscribe here.

Mr. Harper’s after hours

92-95 PDF

Mr. Harper’s after hours·

= Subscribers only.
Sign in here.
Subscribe here.

Mr. Harper’s after hours

93-95 PDF

Waterfalls and tall buildings·

= Subscribers only.
Sign in here.
Subscribe here.

The new books

96, 98, 100, 102-104 PDF

Mostly about the young·

= Subscribers only.
Sign in here.
Subscribe here.

Books in brief

105-108 PDF

Books in brief·

= Subscribers only.
Sign in here.
Subscribe here.

Books in brief

108 PDF

Forecast·

= Subscribers only.
Sign in here.
Subscribe here.

The new recordings

109, 111-112 PDF

The new recordings·

= Subscribers only.
Sign in here.
Subscribe here.

The new recordings

109, 111-112 PDF

Perspectives·

= Subscribers only.
Sign in here.
Subscribe here.

The new recordings

111 PDF

Worth hearing . . .·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

112 PDF

Jazz notes·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

112 PDF

Tenor sax·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today