= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1961 / July | View All Issues |

July 1961

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4, 6, 8 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

After hours

14-16 PDF

My invasion of Marseilles·

= Subscribers only.
Sign in here.
Subscribe here.

Article

21-26 PDF

A warning to Wall Street amateurs·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

27-30 PDF

Summer is another country·

= Subscribers only.
Sign in here.
Subscribe here.

A story

Article

31-38 PDF

A plan for revolution in Latin America·

= Subscribers only.
Sign in here.
Subscribe here.

Article

39-44 PDF

New York is different·

= Subscribers only.
Sign in here.
Subscribe here.

Article

45-52 PDF

“Realism” in the American theatre·

= Subscribers only.
Sign in here.
Subscribe here.

Article

53-57 PDF

Quebec’s revolt against the Catholic schools·

= Subscribers only.
Sign in here.
Subscribe here.

Article

58-61 PDF

“The footnote-and-mouth disease”·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

61 PDF

God opens his mail·

= Subscribers only.
Sign in here.
Subscribe here.

Article

62-69 PDF

The search for William E. Hinds·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

67 PDF

Vermont·

= Subscribers only.
Sign in here.
Subscribe here.

Article

72-81 PDF

The new vision in architecture·

= Subscribers only.
Sign in here.
Subscribe here.

Article

82-87 PDF

Teachers College·

= Subscribers only.
Sign in here.
Subscribe here.

An extinct volcano?

Public and personal

88-90 PDF

Public and personal·

= Subscribers only.
Sign in here.
Subscribe here.

The new books

91-92, 94, 96, 98-99 PDF

Summer fiction·

= Subscribers only.
Sign in here.
Subscribe here.

Steinbeck, Silone, and some women on the loose

Books in brief

99-101 PDF

Books in brief·

= Subscribers only.
Sign in here.
Subscribe here.

Books in brief

101 PDF

Forecast·

= Subscribers only.
Sign in here.
Subscribe here.

Music in the round

102-104 PDF

The new Tristan·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

104 PDF

Jazz notes·

= Subscribers only.
Sign in here.
Subscribe here.

[Coming in Harper’s]

104 PDF

[Coming in Harper's]·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

104 PDF

Throwback·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today