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1962 / October | View All Issues |

October 1962

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Untitled·

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Letters

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Letters·

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The easy chair

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The Negro as first class citizen·

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Some comments and rejoinders

After hours

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Dining west of the Hudson·

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After hours

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Montages·

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Article

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The race to create life·

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Article

49-52 PDF

Sinus tones with nuts and bolts·

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Poetry

51 PDF

October song (for Roy Davidson)·

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Article

52D, 53-60 PDF

The death of Weake·

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Article

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Ohio’s unpredictable voters·

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Article

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The rising leaders of Germany·

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Article

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What “truth in lending” would mean·

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Fiction

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Peer the traper·

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Chapter 2 of a story

Article

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The unreported crisis in the Southern colleges·

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The new books

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Musclemen and dreamers·

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Article

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Frost, Williams, & company·

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Music in the round

110, 112-114 PDF

Generations of pianists·

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Music in the round

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And also . . .·

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[Coming in Harper’s]

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[Coming in Harper's]·

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Jazz notes

114 PDF

Jazz notes·

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Jazz notes

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Mingus again·

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Article

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Foreword·

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Collection

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The American female·

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Growing up female·

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Article

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The mommie gap·

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Article

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Speaking for the working-class wife·

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Unequal rights·

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The decline and fall of fashion·

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Hems of yesteryear·

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Second chance·

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New education for women

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Drop-out problem·

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The feminine mystique·

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Poetry

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Mother and Jack and the rain·

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Fiction

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Reena·

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A story

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How to make friends with women·

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The young divorcee·

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Poetry

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Renting·

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Honeychile at the barricades·

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Thread·

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The Swedes do it better·

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“In Season 5 of Louie (FX), Louie is a new kind of superhero. Like Wonder Woman, the canonical superhero he most resembles, Louie’s distinctive superpower is love.”
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On a Friday evening in January, a thousand people at the annual California Native Plant Society conference in San Jose settled down to a banquet and a keynote speech delivered by an environmental historian named Jared Farmer. His chosen topic was the eucalyptus tree and its role in California’s ecology and history. The address did not go well. Eucalyptus is not a native plant but a Victorian import from Australia. In the eyes of those gathered at the San Jose DoubleTree, it qualified as “invasive,” “exotic,” “alien” — all dirty words to this crowd, who were therefore convinced that the tree was dangerously combustible, unfriendly to birds, and excessively greedy in competing for water with honest native species.

In his speech, Farmer dutifully highlighted these ugly attributes, but also quoted a few more positive remarks made by others over the years. This was a reckless move. A reference to the tree as “indigenously Californian” elicited an abusive roar, as did an observation that without the aromatic import, the state would be like a “home without its mother.” Thereafter, the mild-mannered speaker was continually interrupted by boos, groans, and exasperated gasps. Only when he mentioned the longhorn beetle, a species imported (illegally) from Australia during the 1990s with the specific aim of killing the eucalyptus, did he earn a resounding cheer.

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“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
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“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
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“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A tourism company in Australia announced a service that will allow users to take the “world’s biggest selfies,” and a Texas man accidentally killed himself while trying to pose for a selfie with a handgun.

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