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1962 / October | View All Issues |

October 1962

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Untitled·

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Letters

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The easy chair

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The Negro as first class citizen·

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Some comments and rejoinders

After hours

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Dining west of the Hudson·

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After hours

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Montages·

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Article

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The race to create life·

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Article

49-52 PDF

Sinus tones with nuts and bolts·

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Poetry

51 PDF

October song (for Roy Davidson)·

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Article

52D, 53-60 PDF

The death of Weake·

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Article

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Ohio’s unpredictable voters·

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Article

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The rising leaders of Germany·

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Article

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What “truth in lending” would mean·

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Fiction

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Peer the traper·

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Chapter 2 of a story

Article

82-84, 86, 89 PDF

The unreported crisis in the Southern colleges·

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The new books

90, 92, 94, 96, 98 PDF

Musclemen and dreamers·

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Article

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Frost, Williams, & company·

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Music in the round

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Generations of pianists·

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Music in the round

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And also . . .·

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[Coming in Harper’s]

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[Coming in Harper's]·

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Jazz notes

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Jazz notes·

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Jazz notes

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Mingus again·

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Article

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Foreword·

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Collection

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The American female·

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Growing up female·

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The mommie gap·

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Speaking for the working-class wife·

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Unequal rights·

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The decline and fall of fashion·

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Hems of yesteryear·

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Second chance·

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New education for women

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Drop-out problem·

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The feminine mystique·

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Poetry

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Mother and Jack and the rain·

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Fiction

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Reena·

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A story

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How to make friends with women·

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The young divorcee·

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Poetry

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Honeychile at the barricades·

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Thread·

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The Swedes do it better·

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I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

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“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
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“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
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“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
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“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

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