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1964 / February | View All Issues |

February 1964

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Untitled·

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Letters

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Letters·

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The editor’s easy chair

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Why nobody can’t write good·

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Poetry

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To hell with revising, I’m writing a new poem·

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After hours

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Los Angeles’ cultural circus·

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Article

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A draftee’s diary from the Mississippi front·

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Article

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Captain Really and the fabulous stair-mounter·

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Article

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What psychiatry can and cannot do·

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Article

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The tender violence of Pedro Martinez·

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Collection

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The tender violence of Pedro Martinez·

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Pedro’s story·

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Fiction

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A sacrifice·

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A story

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The long battle between art and the machine·

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Poetry

72 PDF

November 25, 1963·

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Article

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Harold Wilson’s Britain·

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Article

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Second thoughts on the religious revival·

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Poetry

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Poem for the Bank of America, Westlake Branch·

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Cartoon

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New York·

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Article

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Small rebellion in Miami·

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Washington insight

104, 107-108, 110 PDF

The Grand Design revisited·

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A legacy with life

The new books

111-112, 114-117 PDF

The way we feel now·

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The new books

112 PDF

Books on what psychiatry can and cannot do·

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[Coming in Harper’s]

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Coming in Harper’s·

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Books in brief

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Music in the round

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Fifteen old violins·

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Jazz notes

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I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

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“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
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“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
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“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
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“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

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