= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1966 / May | View All Issues |

May 1966

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4, 6, 8, 11 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

The easy chair

12, 14, 16, 18, 21-22 PDF

The romantic generation·

= Subscribers only.
Sign in here.
Subscribe here.

After hours

24, 26, 28, 31 PDF

The ascending spiral·

= Subscribers only.
Sign in here.
Subscribe here.

Article

38 PDF

A round for Homo sapiens·

= Subscribers only.
Sign in here.
Subscribe here.

Article

41-46 PDF

America’s unhealthy children·

= Subscribers only.
Sign in here.
Subscribe here.

An emerging scandal

Collection

41-46 PDF

America’s unhealthy children: an emerging scandal·

= Subscribers only.
Sign in here.
Subscribe here.

Article

46 PDF

The sickly Bostonians·

= Subscribers only.
Sign in here.
Subscribe here.

Article

47-53 PDF

Hello, there! You’re on the air·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

47-53 PDF

Hello, there! You’re on the air·

= Subscribers only.
Sign in here.
Subscribe here.

Article

48 PDF

Story without an end·

= Subscribers only.
Sign in here.
Subscribe here.

Article

50 PDF

Ten minutes of groans·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

53 PDF

It·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

54-56, 59-61 PDF

The last gentleman·

= Subscribers only.
Sign in here.
Subscribe here.

Two excerpts from the forthcoming novel

Article

62-67 PDF

The only five great ballet companies·

= Subscribers only.
Sign in here.
Subscribe here.

Article

68-70, 73-74 PDF

Cheating in college·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

68-70, 73-84, 87-93 PDF

The changing campus: a special report·

= Subscribers only.
Sign in here.
Subscribe here.

Article

75-81 PDF

A new direction for Negro colleges·

= Subscribers only.
Sign in here.
Subscribe here.

Article

82-84 PDF

The shame of the graduate schools·

= Subscribers only.
Sign in here.
Subscribe here.

Comments and rebuttals

Article

87-93 PDF

College newspapers in search of their own voice·

= Subscribers only.
Sign in here.
Subscribe here.

Article

91 PDF

College newspapers in search of their own voice·

= Subscribers only.
Sign in here.
Subscribe here.

Winners

Article

94-98, 100 PDF

New York’s Trade Center·

= Subscribers only.
Sign in here.
Subscribe here.

World’s tallest fiasco

The new books

102-103 PDF

On schools·

= Subscribers only.
Sign in here.
Subscribe here.

Are the children in the running?

The new books

103-104, 106 PDF

Black comedy with purifying laughter·

= Subscribers only.
Sign in here.
Subscribe here.

The new books

106-108 PDF

Götterdämmerung, with beer and pretzels·

= Subscribers only.
Sign in here.
Subscribe here.

The new books

108-109 PDF

Our four-legged friends·

= Subscribers only.
Sign in here.
Subscribe here.

Books in brief

109-111 PDF

Books in brief·

= Subscribers only.
Sign in here.
Subscribe here.

Performing arts: New York

112-115 PDF

Vintage imports and homemade baloney·

= Subscribers only.
Sign in here.
Subscribe here.

Performing arts: New York

112-115 PDF

Performing arts: New York·

= Subscribers only.
Sign in here.
Subscribe here.

[Coming in Harper’s]

114 PDF

Coming in Harper’s·

= Subscribers only.
Sign in here.
Subscribe here.

Music in the round

116 PDF

And also . . .·

= Subscribers only.
Sign in here.
Subscribe here.

Music in the round

116-117 PDF

Stravinsky on record·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

118 PDF

Tone poets·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

118 PDF

Jazz notes·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today