= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1966 / June | View All Issues |

June 1966

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4, 6, 8, 13 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

[Coming in Harper’s]

4 PDF

Coming in Harper’s·

= Subscribers only.
Sign in here.
Subscribe here.

After hours

26, 28, 30, 32 PDF

Public faces·

= Subscribers only.
Sign in here.
Subscribe here.

Washington insight

33-34, 36-38 PDF

The truth about the Abba Schwartz case·

= Subscribers only.
Sign in here.
Subscribe here.

Article

41-50 PDF

Crossing the Atlantic in a 13-foot sailboat·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

50 PDF

Bride·

= Subscribers only.
Sign in here.
Subscribe here.

Article

51-58 PDF

Bob Jones University·

= Subscribers only.
Sign in here.
Subscribe here.

The buckle on the Bible Belt

Poetry

58 PDF

Plaintive geometry·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

59-66 PDF

The parrot·

= Subscribers only.
Sign in here.
Subscribe here.

Article

67-72, 77-79 PDF

The feud among the radicals·

= Subscribers only.
Sign in here.
Subscribe here.

Cartoon

70 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

79 PDF

Two ways of dying·

= Subscribers only.
Sign in here.
Subscribe here.

Poetry

80-81 PDF

The bee (to the coaches of the Clemson football team, 1942)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

82-85 PDF

A skeptical guide to Michelin·

= Subscribers only.
Sign in here.
Subscribe here.

Article

86-87 PDF

Père Bise and the swans·

= Subscribers only.
Sign in here.
Subscribe here.

Article

88-91, 96-97 PDF

Mr. White and Mr. Blue·

= Subscribers only.
Sign in here.
Subscribe here.

Notes on the new middle class

The new books

98-100 PDF

Sad, sinister, and sane·

= Subscribers only.
Sign in here.
Subscribe here.

Some new novels

Cartoon

99 PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.

The new books

100-101 PDF

Latin America·

= Subscribers only.
Sign in here.
Subscribe here.

The shadow of coming events

The new books

101-102 PDF

Hemingway gossip·

= Subscribers only.
Sign in here.
Subscribe here.

Books in brief

102-104 PDF

Books in brief·

= Subscribers only.
Sign in here.
Subscribe here.

Performing arts: New York

105-107 PDF

Words, music, and sweet eroticism·

= Subscribers only.
Sign in here.
Subscribe here.

Performing arts: New York

105-107 PDF

Performing arts: New York·

= Subscribers only.
Sign in here.
Subscribe here.

Music in the round

108-110 PDF

Does anybody need the avant-garde?·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

110 PDF

Portent·

= Subscribers only.
Sign in here.
Subscribe here.

Jazz notes

110 PDF

Jazz notes·

= Subscribers only.
Sign in here.
Subscribe here.

Music in the round

110 PDF

And also . . .·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today