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1981 / March | View All Issues |

March 1981

Photography

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Untitled·

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Notice

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Letters

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The easy chair

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The precarious Eden·

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Sinatra yes, Dylan no

Washington

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Washington

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Ersatz BBC·

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In search of public radio

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Rising to rebellion·

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Inside El Salvador

In our time

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In our time·

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In our time

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The evolution of the species·

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No. 3

The public record

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The mind’s eye

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Roman à clef·

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Article

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Water and power·

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The Owens Valley water war

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For Mozart, from the beginning·

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Dividends·

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Little man, what now?

Books

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Emblems of adversity·

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Seamus Heaney

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Juvenalia et alia·

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The hope of satire

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The two thousand years’ war·

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Thucydides in the cold war

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The TBR 500·

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Selling space

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Ordinary critics·

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Immanuel Kant and the Talking Heads

The fourth estate

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In Duran’s corner·

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The press takes a dive

American miscellany

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A mechanic’s metaphysics

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Editor's Note

Many comedians consider stand-up the purest form of comedy; Doug Stanhope considers it the freest. “Once you do stand-up, it spoils you for everything else,” he says. “You’re the director, performer, and producer.” Unlike most of his peers, however, Stanhope has designed his career around exploring that freedom, which means choosing a life on the road. Perhaps this is why, although he is extremely ambitious, prolific, and one of the best stand-ups performing, so many Americans haven’t heard of him. Many comedians approach the road as a means to an end: a way to develop their skills, start booking bigger venues, and, if they’re lucky, get themselves airlifted to Hollywood. But life isn’t happening on a sit-com set or a sketch show — at least not the life that has interested Stanhope. He isn’t waiting to be invited to the party; indeed, he’s been hosting his own party for years.

Because of the present comedy boom, civilians are starting to hear about Doug Stanhope from other comedians like Ricky Gervais, Sarah Silverman, and Louis CK. But Stanhope has been building a devoted fan base for the past two decades, largely by word of mouth. On tour, he prefers the unencumbered arrival and the quick exit: cheap motels where you can pull the van up to the door of the room and park. He’s especially pleased if there’s an on-site bar, which increases the odds of hearing a good story from the sort of person who tends to drink away the afternoon in the depressed cities where he performs. Stanhope’s America isn’t the one still yammering on about its potential or struggling with losing hope. For the most part, hope is gone. On Word of Mouth, his 2002 album, he says, “America may be the best country, but that’s like being the prettiest Denny’s waitress. Just because you’re the best doesn’t make you good.”

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“I was warned that there would likely be a lot of emotions coming out in the room.”
Illustration by Katherine Streeter
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Dan Halpern’s “Citizen Walmart” (2012)·

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“He’s taking on a heap of debt to scale up for Walmart, a heap of debt.”
Photograph by Thomas Allen
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“Bolivia’s gene banks contain far more quinoa varieties than any other country’s, yet the Bolivians are dead set against sharing them.”
Photograph by Lisa M. Hamilton
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“He explained how sober Doug structured the bits and worked out the material’s logic; drunk Doug found the funny.”
Illustration by Andrew Zbihlyj

Ratio of husbands who say they fell in love with their spouse at first sight to wives who say this:

2:1

Mathematicians announced the discovery of the perfect method of cutting a cake.

Indian prime-ministerial contender Narendra Modi, who advertises his bachelorhood as a mark of his incorruptibility, confessed to having a wife.

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