= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1981 / September | View All Issues |

September 1981

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4-7 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Letters

6-7 PDF

Trial by newsprint·

= Subscribers only.
Sign in here.
Subscribe here.

The easy chair

8, 10, 12 PDF

The counterfeit muse·

= Subscribers only.
Sign in here.
Subscribe here.

Notes on the official culture

Article

13-14, 16, 18 PDF

Island of instability·

= Subscribers only.
Sign in here.
Subscribe here.

Saudi Arabia, the Gulf’s latest protector

Washington

19-21 PDF

Washington·

= Subscribers only.
Sign in here.
Subscribe here.

Washington

19-21 PDF

The case for bankruptcy·

= Subscribers only.
Sign in here.
Subscribe here.

Inflation’s only enemy

Letter from abroad

22, 24, 26-28 PDF

Letter from abroad·

= Subscribers only.
Sign in here.
Subscribe here.

Letter from abroad

22, 24, 26-28 PDF

The newest class·

= Subscribers only.
Sign in here.
Subscribe here.

Yugoslavia’s impulse for division

Article

Front cover, 31-40 PDF

Money and art·

= Subscribers only.
Sign in here.
Subscribe here.

The paradox of patronage

Article

41-56 PDF

Panic among the Philistines·

= Subscribers only.
Sign in here.
Subscribe here.

The literary vulgarians

Cartoon

57-60 PDF

The bomb shelter of your dreams·

= Subscribers only.
Sign in here.
Subscribe here.

Catalogue for survival

Fiction

61-67 PDF

The year 1912·

= Subscribers only.
Sign in here.
Subscribe here.

A story

Geography 105

68-69 PDF

Geography 105·

= Subscribers only.
Sign in here.
Subscribe here.

Geography 105

68-69 PDF

Women workers·

= Subscribers only.
Sign in here.
Subscribe here.

Books

70-72, 74-76 PDF

Pony or Pegasus·

= Subscribers only.
Sign in here.
Subscribe here.

The problem of mistranslation

Ars politica

77 PDF

Ars politica·

= Subscribers only.
Sign in here.
Subscribe here.

Ars politica

77 PDF

Ars politica·

= Subscribers only.
Sign in here.
Subscribe here.

In print

78-80 PDF

In print·

= Subscribers only.
Sign in here.
Subscribe here.

In print

78-80 PDF

Lots of mots·

= Subscribers only.
Sign in here.
Subscribe here.

Eighty-five hours with Mr. Proust

Poetry

80 PDF

Ukiyo – e·

= Subscribers only.
Sign in here.
Subscribe here.

In our time

82 PDF

In our time·

= Subscribers only.
Sign in here.
Subscribe here.

In our time

82 PDF

The evolution of the species·

= Subscribers only.
Sign in here.
Subscribe here.

No. 5

Revisions

83-86 PDF

Revisions·

= Subscribers only.
Sign in here.
Subscribe here.

Revisions

83-86 PDF

Mind reading·

= Subscribers only.
Sign in here.
Subscribe here.

The forgotten Freud

The mind’s eye

87 PDF

The mind’s eye·

= Subscribers only.
Sign in here.
Subscribe here.

The mind’s eye

87 PDF

The force·

= Subscribers only.
Sign in here.
Subscribe here.

American miscellany

88-93 PDF

American miscellany·

= Subscribers only.
Sign in here.
Subscribe here.

Puzzle

96 PDF

Sixes and sevens·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today