= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

1997 / September | View All Issues |

September 1997

Photography

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

6-9, 82 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Notebook

10, 12-13 PDF

The life·

= Subscribers only.
Sign in here.
Subscribe here.

Harper’s Index

15 PDF

Harper’s index·

= Subscribers only.
Sign in here.
Subscribe here.

Readings

17-37 PDF

[Article]

Snowed by the CIA·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Research or racism?·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Landscape with cooling towers near Liverpool, England·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Identity politics·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Calling the spies in from the cold·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Notes on writing and the nation·

= Subscribers only.
Sign in here.
Subscribe here.

[Poetry]

The end and the beginning·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Readings·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Trials and their tribulations·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

This cursed house·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

War and peace and quiet·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

The great writers, in bats per belfry·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Releasing the memoirist within·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Do not disturb·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Mr. Modesty·

= Subscribers only.
Sign in here.
Subscribe here.

[Fiction]

The view from intensive care·

= Subscribers only.
Sign in here.
Subscribe here.

[Collection]

[untitled]·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Noodle girl·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Noodle boy·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Bringing love back to town·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Readings·

= Subscribers only.
Sign in here.
Subscribe here.

Article

39-49 PDF

I. As lite entertainment for bored college students·

= Subscribers only.
Sign in here.
Subscribe here.

Article

61-62, 64-70 PDF

Mean season·

= Subscribers only.
Sign in here.
Subscribe here.

In Northern Ireland, the Troubles come as regular as rain

Fiction

71-79 PDF

The lake·

= Subscribers only.
Sign in here.
Subscribe here.

Double acrostic

83 PDF

No. 177·

= Subscribers only.
Sign in here.
Subscribe here.

Puzzle

84 PDF

Travel document·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today