Collection — From the September 1997 issue
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Collection — From the September 1997 issue
Next month I will publish a book about poverty in America, but not the book I intended. The world took me by surprise—not once, but again and again. The poor themselves led me in directions I could not have imagined, especially the one that came out of a conversation in a maximum-security prison for women that is set, incongruously, in a lush Westchester suburb fifty miles north of New York City.
I had been working on the book for about three years when I went to the Bedford Hills Correctional Facility for the first time. The staff and inmates had developed a program to deal with family violence, and I wanted to see how their ideas fit with what I had learned about poverty.
Numerous forces—hunger, isolation, illness, landlords, police, abuse, neighbors, drugs, criminals, and racism, among many others—exert themselves on the poor at all times and enclose them, making up a “surround of force” from which, it seems, they cannot escape. I had come to understand that this was what kept the poor from being political and that the absence of politics in their lives was what kept them poor. I don’t mean “political” in the sense of voting in an election but in the way Thucydides used the word: to mean activity with other people at every level, from the family to the neighborhood to the broader community to the city-state.
By the time I got to Bedford Hills, I had listened to more than six hundred people, some of them over the course of two or three years. Although my method is that of the bricoleur, the tinkerer who assembles a thesis of the bric-a-brac he finds in the world, I did not think there would be any more surprises. But I had not counted on what Viniece Walker was to say.
It is considered bad form in prison to speak of a person’s crime, and I will follow that precise etiquette here. I can tell you that Viniece Walker came to Bedford Hills when she was twenty years old, a high school dropout who read at the level of a college sophomore, a graduate of crackhouses, the streets of Harlem, and a long alliance with a brutal man. On the surface Viniece has remained as tough as she was on the street. She speaks bluntly, and even though she is HIV positive and the virus has progressed during her time in prison, she still swaggers as she walks down the long prison corridors. While in prison, Niecie, as she is known to her friends, completed her high school requirements and began to pursue a college degree (psychology is the only major offered at Bedford Hills, but Niecie also took a special interest in philosophy). She became a counselor to women with a history of family violence and a comforter to those with AIDS.
Only the deaths of other women cause her to stumble in the midst of her swaggering step, to spend days alone with the remorse that drives her to seek redemption. She goes through life as if she had been imagined by Dostoevsky, but even more complex than his fictions, alive, a person, a fair-skinned and freckled African- American woman, and in prison. It was she who responded to my sudden question, “Why do you think people are poor?”
We had never met before. The conversation around us focused on the abuse of women. Niecie’s eyes were perfectly opaque—hostile, prison eyes. Her mouth was set in the beginning of a sneer.
“You got to begin with the children,” she said, speaking rapidly, clipping out the street sounds as they came into her speech.
She paused long enough to let the change of direction take effect, then resumed the rapid, rhythmless speech. “You’ve got to teach the moral life of downtown to the children. And the way you do that, Earl, is by taking them downtown to plays, museums, concerts, lectures, where they can learn the moral life of downtown.”
I smiled at her, misunderstanding, thinking I was indulging her. “And then they won’t be poor anymore?”
She read every nuance of my response, and answered angrily, “And they won’t be poor no more.”
“What you mean is—”
“What I mean is what I said—a moral alternative to the street.”
She didn’t speak of jobs or money. In that, she was like the others I had listened to. No one had spoken of jobs or money. But how could the “moral life of downtown” lead anyone out from the surround of force? How could a museum push poverty away? Who can dress in statues or eat the past? And what of the political life? Had Niecie skipped a step or failed to take a step? The way out of poverty was politics, not the “moral life of downtown.” But to enter the public world, to practice the political life, the poor had first to learn to reflect. That was what Niecie meant by the “moral life of downtown.” She did not make the error of divorcing ethics from politics. Niecie had simply said, in a kind of shorthand, that no one could step out of the panicking circumstance of poverty directly into the public world.
Although she did not say so, I was sure that when she spoke of the “moral life of downtown” she meant something that had happened to her. With no job and no money, a prisoner, she had undergone a radical transformation. She had followed the same path that led to the invention of politics in ancient Greece. She had learned to reflect. In further conversation it became clear that when she spoke of “the moral life of downtown” she meant the humanities, the study of human constructs and concerns, which has been the source of reflection for the secular world since the Greeks first stepped back from nature to experience wonder at what they beheld. If the political life was the way out of poverty, the humanities provided an entrance to reflection and the political life. The poor did not need anyone to release them; an escape route existed. But to open this avenue to reflection and politics a major distinction between the preparation for the life of the rich and the life of the poor had to be eliminated.
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