= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

2000 / January | View All Issues |

January 2000

Photography

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4-5, 93-94 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Notebook

6-9 PDF

The way west·

= Subscribers only.
Sign in here.
Subscribe here.

Harper’s Index

10-13 PDF

Harper’s index·

= Subscribers only.
Sign in here.
Subscribe here.

Readings

15-35 PDF

[Article]

Iterations of immortality·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Three pairs·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Accoutrements of empire·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Readings·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Hit Ctrl-I for inspiration·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Owme sweet owme·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

The universe is so big the white man confines me to my reservation·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Use it in a sentencing·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

The digital revolution eats its own·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Nobody needs the Wiz·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Sing for your sinecure·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Katz’s Delicatessen·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Now siring·

= Subscribers only.
Sign in here.
Subscribe here.

Inquire within

[Article]

Bad boy·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Investing in mutual fun·

= Subscribers only.
Sign in here.
Subscribe here.

[Poetry]

Coolongolook timber mill·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Snow and farm·

= Subscribers only.
Sign in here.
Subscribe here.

Article

Front cover, 41-56 PDF

The unfinished twentieth century·

= Subscribers only.
Sign in here.
Subscribe here.

What we have forgotten about nuclear weapons

Collection

57-68 PDF

The searchable soul: privacy in the age of information technology·

= Subscribers only.
Sign in here.
Subscribe here.

Article

60 PDF

Internet glossary·

= Subscribers only.
Sign in here.
Subscribe here.

Article

63 PDF

1999·

= Subscribers only.
Sign in here.
Subscribe here.

The year in electronic privacy

Reviews

69-72 PDF

Our man on Capri·

= Subscribers only.
Sign in here.
Subscribe here.

Remembering Graham Greene

Reviews

72-77 PDF

Our daily bread·

= Subscribers only.
Sign in here.
Subscribe here.

On the triumph of American gastrosophy

Article

79-83 PDF

In praise of freedom·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

84-90 PDF

Rêve Haitien·

= Subscribers only.
Sign in here.
Subscribe here.

Correction

94 PDF

Clarification·

= Subscribers only.
Sign in here.
Subscribe here.

Puzzle

95 PDF

Y2K·

= Subscribers only.
Sign in here.
Subscribe here.

Article

96 PDF

Piling on the pain in the NFL·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today