= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

2000 / September | View All Issues |

September 2000

Photography

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4, 6-7, 86 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Harper’s Index

9 PDF

Harper’s index·

= Subscribers only.
Sign in here.
Subscribe here.

Readings

11-33 PDF

[Article]

A world like Santa Barbara·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

The tragic kingdom·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Gaz·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Untitled (S. at his place)·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Smoke ‘em if you got ‘em·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Deep in the heart of Texas·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

The Serbsky Institution for Psychiatric Expertise·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Witness for the execution·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Got Milken?·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Not so fast, Cashman·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

The Old Dictionary

[Article]

Return to lender·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Castrati·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Like fragments in hard voyages·

= Subscribers only.
Sign in here.
Subscribe here.

[Poetry]

Unoccupiable I·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Woiepa sakwea (Born ugly must not be sad)·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Amuna achamba (The husband addicted to marijuana)·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Kapoli (To stand up from hoeing)·

= Subscribers only.
Sign in here.
Subscribe here.

[Collection]

The elephant has four hearts·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Ndapita ku maliro (I am going to the funeral, lock up the chicken)·

= Subscribers only.
Sign in here.
Subscribe here.

Article

Front cover, 35-42 PDF

A citizen in full·

= Subscribers only.
Sign in here.
Subscribe here.

Ralph Nader campaigns for president with a course in civics

Reviews

65-66, 68-72 PDF

Death of a nation·

= Subscribers only.
Sign in here.
Subscribe here.

Remembering Elijah Muhammad, true American

Article

73-74, 76-78 PDF

Brain-cell memories·

= Subscribers only.
Sign in here.
Subscribe here.

Under the microscope, disease and life unfurl

Fiction

79-80, 82-83 PDF

It counts as seeing·

= Subscribers only.
Sign in here.
Subscribe here.

Puzzle

87 PDF

“_ _ _ _ _ _ _ _ _ _ _ _ _”·

= Subscribers only.
Sign in here.
Subscribe here.

Article

88 PDF

Alien nation·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

A Goose in a Dress

= Subscribers only.
Sign in here.
Subscribe here.

The Genealogy of Orals

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today