= Subscribers only. Sign in here. Subscribe here.

= Subscribers only.
Sign in here.
Subscribe here.

2009 / March | View All Issues |

March 2009

illustration

Front cover PDF

Untitled·

= Subscribers only.
Sign in here.
Subscribe here.


Letters

4-6 PDF

Letters·

= Subscribers only.
Sign in here.
Subscribe here.

Harper’s Index

13 PDF

Harper’s index·

= Subscribers only.
Sign in here.
Subscribe here.

Readings

15-29 PDF

[Article]

Obamandela

[Article]

That empty sleeve·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Merkwürden·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Shirts and skins·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Condemned #2·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Helter skelter·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Landschaft (Landscape)·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Evil has ruined my life·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Om land security·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

The taste of concrete·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Welcome to parasite·

= Subscribers only.
Sign in here.
Subscribe here.

[illustration]

Praça do Comércio (A Terra e a Gente)·

= Subscribers only.
Sign in here.
Subscribe here.

[Article]

Flash Gordon·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Akata dance masqueraders, Ogoja, Nigeria·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Okpo masquerade, Calabar South, Nigeria·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Gwarama masquerade, Yegueresso Village, Burkina Faso·

= Subscribers only.
Sign in here.
Subscribe here.

[Collection]

[untitled]·

= Subscribers only.
Sign in here.
Subscribe here.

[Photography]

Akata dance masquerade, Cross River, Nigeria·

= Subscribers only.
Sign in here.
Subscribe here.

Article

31-36, 38-40 PDF

Curtain calls·

= Subscribers only.
Sign in here.
Subscribe here.

The fever called “living” is conquered at last

Fiction

71 PDF

Woman in rose dress·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

71 PDF

As the world turned out·

= Subscribers only.
Sign in here.
Subscribe here.

Collection

71-72 PDF

Seven stories·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

71-72 PDF

Protection, prevention, gazing, gratified desire·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

72 PDF

One of the great drawbacks·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

72 PDF

Stand·

= Subscribers only.
Sign in here.
Subscribe here.

Fiction

72 PDF

Glee·

= Subscribers only.
Sign in here.
Subscribe here.

Reviews

77-80, 82 PDF

Unhappy together·

= Subscribers only.
Sign in here.
Subscribe here.

The Wittgenstein family feud

Puzzle

83 PDF

Diametricode·

= Subscribers only.
Sign in here.
Subscribe here.

Get access to 165 years of
Harper’s for only $45.99

United States Canada

THE CURRENT ISSUE

September 2015

The Neoliberal Arts

= Subscribers only.
Sign in here.
Subscribe here.

Gangs of Karachi

= Subscribers only.
Sign in here.
Subscribe here.

Weed Whackers

= Subscribers only.
Sign in here.
Subscribe here.

Tremendous Machine

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Romancing Kano·

= Subscribers only.
Sign in here.
Subscribe here.

I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:

The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.

leadership
service
integrity
creativity

Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.

Article
The Prisoner of Sex·

= Subscribers only.
Sign in here.
Subscribe here.

“It is disappointing that parts of Purity read as though Franzen urgently wanted to telegraph a message to anyone who would defend his fiction from charges of chauvinism: ‘No, you’ve got me wrong. I really am sexist.’”
Illustration by Shonagh Rae
Article
Gangs of Karachi·

= Subscribers only.
Sign in here.
Subscribe here.

“In Karachi, sometimes only the thinnest of polite fictions separates the politicians from the men who kill and extort on their behalf.”
Photograph © Asim Rafiqui/NOOR Images
Article
Weed Whackers·

= Subscribers only.
Sign in here.
Subscribe here.

“Defining 'native' and 'invasive' in an ever-shifting natural world poses some problems. The camel, after all, is native to North America, though it went extinct here 8,000 years ago, while the sacrosanct redwood tree is invasive, having snuck in at some point in the past 65 million years.”
Photograph by Chad Ress
Article
The Neoliberal Arts·

= Subscribers only.
Sign in here.
Subscribe here.

“College is seldom about thinking or learning anymore. Everyone is running around trying to figure out what it is about. So far, they have come up with buzzwords, mainly those three.”
Artwork by Julie Cockburn

Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:

65

An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.

A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today