Lewis H. Lapham

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Lewis H. Lapham was the editor of Harper’s Magazine from 1976 to 1981, and again from 1983 to 2006. In the early Seventies, he began writing the Easy Chair, which he renamed “The Notebook” in 1984. His columns received the National Magazine Award in 1995 for exhibiting “an exhilarating point of view in an age of conformity,” and, in 2002, the Thomas Paine Journalism Award. Lapham founded Lapham’s Quarterly, of which he is also editor, in 2007. He is currently editor emeritus of Harper’s and was inducted into the American Society of Magazine Editors’ Hall of Fame in February of 2007.

In 1984 Lapham led the redesign of Harper’s, which included the creation of the Index, Annotations, and Readings—inventions intended to “incite acts of the imagination rather than facilitate the transfers of data, not to provide ready-made answers but to say, in effect, look at this, see how much more beautiful and strange and full of possibility is the world than can be dreamed of by the mythographers at NBC and Time.

Lapham is the author of numerous books, including Waiting for the Barbarians (1997), Theater of War (2003), Gag Rule (2004), and, most recently, Pretensions to Empire (2006). He hosts the weekly Bloomberg Radio program The World in Time. The New York Times has likened him to H.L. Mencken; Vanity Fair has suggested a strong resemblance to Mark Twain; and Tom Wolfe compared him to Montaigne.

Essay — From the November 2015 issue

Bombast Bursting in Air

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The story, so far, of the 2016 election

Context — October 30, 2015, 11:33 am

Bombast Bursting in Air

Republican presidential candidate John Kasich surveys his competition; Lewis H. Lapham analyzes the 2016 election so far.

HarpersWeb-Context-Marquee-Bombast

Article — From the May 2012 issue

Ignorance of things past

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Who wins and who loses when we forget American history

Article — From the April 2011 issue

Democracy 101

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Mark Twain’s farewell address

Notebook — From the November 2010 issue

Figures of speech

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Notebook — From the May 2010 issue

Doing the laundry

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I first heard the name Barack Obama in the spring of 2004, while visiting my mother in Chicago. As we sat around the kitchen table early one spring morning, I noticed a handsome studio portrait among the pictures, lists, cards, and other totems of family life fastened to the refrigerator door. “Who’s the guy with the ears?” I asked, assuming he was some distant relative or family friend I didn’t know or else had forgotten. “Barack Obama,” she answered with a broad smile. “He’s running for Senate, but he’s going to be the first black president.”

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I first heard the name Barack Obama in the spring of 2004, while visiting my mother in Chicago. As we sat around the kitchen table early one spring morning, I noticed a handsome studio portrait among the pictures, lists, cards, and other totems of family life fastened to the refrigerator door. “Who’s the guy with the ears?” I asked, assuming he was some distant relative or family friend I didn’t know or else had forgotten. “Barack Obama,” she answered with a broad smile. “He’s running for Senate, but he’s going to be the first black president.”

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I first heard the name Barack Obama in the spring of 2004, while visiting my mother in Chicago. As we sat around the kitchen table early one spring morning, I noticed a handsome studio portrait among the pictures, lists, cards, and other totems of family life fastened to the refrigerator door. “Who’s the guy with the ears?” I asked, assuming he was some distant relative or family friend I didn’t know or else had forgotten. “Barack Obama,” she answered with a broad smile. “He’s running for Senate, but he’s going to be the first black president.”

Artwork (detail) © The Kazuto Tatsuta/Kodansha Ltd
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A Matter of Life·

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I first heard the name Barack Obama in the spring of 2004, while visiting my mother in Chicago. As we sat around the kitchen table early one spring morning, I noticed a handsome studio portrait among the pictures, lists, cards, and other totems of family life fastened to the refrigerator door. “Who’s the guy with the ears?” I asked, assuming he was some distant relative or family friend I didn’t know or else had forgotten. “Barack Obama,” she answered with a broad smile. “He’s running for Senate, but he’s going to be the first black president.”

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Black Like Who?·

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I first heard the name Barack Obama in the spring of 2004, while visiting my mother in Chicago. As we sat around the kitchen table early one spring morning, I noticed a handsome studio portrait among the pictures, lists, cards, and other totems of family life fastened to the refrigerator door. “Who’s the guy with the ears?” I asked, assuming he was some distant relative or family friend I didn’t know or else had forgotten. “Barack Obama,” she answered with a broad smile. “He’s running for Senate, but he’s going to be the first black president.”

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"It is an interesting and somewhat macabre parlor game to play at a large gathering of one’s acquaintances: to speculate who in a showdown would go Nazi. By now, I think I know. I have gone through the experience many times—in Germany, in Austria, and in France. I have come to know the types: the born Nazis, the Nazis whom democracy itself has created, the certain-to-be fellow-travelers. And I also know those who never, under any conceivable circumstances, would become Nazis."

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