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The most revealing moment, perhaps, is when Gonzales inadvertently confesses that some members of this secret cabal of senior leaders may not have even “known that they were involved in making this list.” Poor James Comey thought he was making cocktail-party conversation, when in fact Kyle Sampson was using his judgments on U.S. attorneys as ammunition against them.
Robert Wexler, D-Fla., finally loses his temper and starts hollering: “You did not select Iglesias for the list.” (No). “Did Sampson select him?” (No). “Did Comey?” (No.) “Did McNulty?” (No.) Did the president? (No.) “Did the vice president? (No).” Then Steve Cohen, D-Tenn., follows up with one of the best queries of the day: “If you don’t know who put Iglesias on the list, how do you know the president or the vice president didn’t?” Long silence. Pause. “They wouldn’t do that,” hems Gonzales. “The White House has said publicly that it was not involved in adding or deleting people from the list.” Someone needs to tell that to Kyle Sampson. And as for Gonzales, he has made himself immortal by merely willing himself to be so. That must be what accounts for his Zenlike state today. It’s an ingenious strategy. Instead of letting the president throw him under the bus to protect Karl Rove, Gonzales just lies down in the road, then giggles as the bus runs over his head.
Marty Lederman points to the absurdity of all this testimony. Remember that Gonzales has said that the list reflected the consensus view of “senior management at DOJ.” But who, exactly was that senior management?
There’s the dilemma. So who is “senior management” at DOJ? The answer appears to be Karl Rove and Harriet Miers. And as to the senior management in office? Are they not but “hollow men” with “head pieces filled with straw, alas.”
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”