No Comment — May 13, 2007, 10:10 am

Karl Rove Directed DOJ Voter Suppression Project

The McClatchy Newspapers report today that in the final weeks before the midterm Congressional elections of November 2006, presidential political advisor Karl Rove orchestrated a large-scale effort to suppress voter turnout among potentially Democratic constituencies, leveraging Department of Justice resources in the process. Key to the project were P. Kyle Sampson, Alberto Gonzales’s chief of staff, and Matthew Friedrich, then chief of staff in the Department’s Criminal Division.

Friedrich’s testimony and statements to Congressional investigators made clear that the decision to proceed with “voter fraud” charges in a series of dubious cases resulted from direction from partisan political operatives in the White House, including Rove.

McClatchy writes:

Only weeks before last year’s pivotal midterm elections, the White House urged the Justice Department to pursue voter-fraud allegations against Democrats in three battleground states, a high-ranking Justice official has told congressional investigators.

In two instances in October 2006, President Bush’s political adviser, Karl Rove, or his deputies passed the allegations on to Attorney General Alberto Gonzales’ then-chief of staff, Kyle Sampson.

These and similar allegations make increasingly plain why Rove and the White House are going to such tremendous lengths to block his testimony under oath.

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Editor's Note

Many comedians consider stand-up the purest form of comedy; Doug Stanhope considers it the freest. “Once you do stand-up, it spoils you for everything else,” he says. “You’re the director, performer, and producer.” Unlike most of his peers, however, Stanhope has designed his career around exploring that freedom, which means choosing a life on the road. Perhaps this is why, although he is extremely ambitious, prolific, and one of the best stand-ups performing, so many Americans haven’t heard of him. Many comedians approach the road as a means to an end: a way to develop their skills, start booking bigger venues, and, if they’re lucky, get themselves airlifted to Hollywood. But life isn’t happening on a sit-com set or a sketch show — at least not the life that has interested Stanhope. He isn’t waiting to be invited to the party; indeed, he’s been hosting his own party for years.

Because of the present comedy boom, civilians are starting to hear about Doug Stanhope from other comedians like Ricky Gervais, Sarah Silverman, and Louis CK. But Stanhope has been building a devoted fan base for the past two decades, largely by word of mouth. On tour, he prefers the unencumbered arrival and the quick exit: cheap motels where you can pull the van up to the door of the room and park. He’s especially pleased if there’s an on-site bar, which increases the odds of hearing a good story from the sort of person who tends to drink away the afternoon in the depressed cities where he performs. Stanhope’s America isn’t the one still yammering on about its potential or struggling with losing hope. For the most part, hope is gone. On Word of Mouth, his 2002 album, he says, “America may be the best country, but that’s like being the prettiest Denny’s waitress. Just because you’re the best doesn’t make you good.”

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