SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Alberto Gonzales is still the attorney general, which considering what he’s been through over the last two months is an amazing fact. George Bush, in remarks for a cinco de mayo celebration, labeled him as the “eternal general.” He was caught in a dozen lies in presentations to Congress, which is astonishing especially considering the fact that the crux of his testimony was that he simply couldn’t remember – not much of anything, even though he’d spent a solid month preparing for the hearings.
Today, Time magazine’s Massimo Calabresi offers us another glimpse at materials which came out in the interviews conducted by Judiciary Committee staffers. They furnish some remarkable insight into the thinking and character of Alberto Gonzales.
When the Roehrkasse e-mail came to light, he told the press that Gonzales had been upset because he believed that “Bud Cummins’ removal involved performance considerations.” But on April 15, Congressional sources tell TIME, Gonzales’ former chief of staff Kyle Sampson told a different story. During a private interview with Judiciary Committee staffers Sampson said three times in as many minutes that Gonzales was angry with McNulty because he had exposed the White House’s involvement in the firings?had put it’s role “in the public sphere,” as Sampson phrased it, according to Congressional sources familiar with the interview.
If Gonzales was indeed actively trying to protect the White House from charges they were involved in the firings, that will fuel suspicions that something improper was at work in the firings themselves. Most Democrats and Republicans agree that the President has broad authority to replace U.S. attorneys as he sees fit, so why would the Attorney General try to obscure the White House’s role in doing so?
So it seems that Gonzales was driven by one consideration: to shield and protect the White House–to avoid exposing the internal machinations of the White House to public or Congressional scrutiny.
Understanding this, it becomes apparent why Gonzales had convenient “memory lapses” with respect to all questions that pointed to dealings with Karl Rove and Harriet Miers. And it’s apparent why Gonzales furnished false statements on so many points. The dissembling is fairly consistent in what it obscures: the role of the White House. Gonzales is hanging around and taking the heat to protect Karl Rove. It’s about that simple.
On Thursday, Gonzales will be back on the hill, testifying in the House Judiciary Committee. He should expect to be probed very thoroughly on why he was so concerned about the White House’s role being in the “public sphere,” and why he suffers from persistent and highly localized amnesia on this subject matter. At this point, he has few friends remaining even among the Republicans. If he doesn’t quit, he will face a vote of censure, followed by an impeachment effort. No one will ever accuse Alberto Gonzales of a gracious exit.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”