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Kansas City Star reporters David Helling and Steve Kraske come up with more information suggesting that former U.S. Attorney Tom Graves was fired and that there were two principal concerns leading to the firing: his links to a corruption scandal surrounding Missouri’s Republican governor, and his refusal to engage in voter suppression tactics which were being peddled by main Justice. The Star also linked Missouri Republican Senator Kit Bond to the scandal for the first time, documenting his intervention with Justice on behalf of Graves.
Graves said he doesn’t know why he would have been a target for removal, but he suggested his “independence” may have played a role.
“When I first interviewed (with the Department)…I was asked to give the panel one attribute that describes me,” Graves said. “I said independent. Apparently, that was the wrong attribute.”
Missouri Democrats have long argued that the state’s fee offices, under the Blunt administration, were closely linked to campaign contributions. Tuesday they said news that Bond’s office was worried about Graves’ link to the fee office system may add to their suspicions.
“It’s alarming that there is now a connection between Todd Graves being pushed out of his job as U.S. Attorney and his involvement in Matt Blunt’s fee office scheme,” said Jack Cardetti, spokesman for the Missouri Democratic Party.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”