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In a dramatic expansion of the current Purgegate scandal, the Washington Post reports this morning that Alberto Gonzales knowingly gave false evidence to the Judiciary Committee when he attempted to limit the scope of the program aimed at removing U.S. Attorneys.
Attorney General Alberto R. Gonzales testified last week that the effort was limited to eight U.S. attorneys fired since last June, and other administration officials have said that only a few others were suggested for removal. In fact, D. Kyle Sampson, then Gonzales’s chief of staff, considered more than two dozen U.S. attorneys for termination, according to lists compiled by him and his colleagues, the sources said.
They amounted to more than a quarter of the nation’s 93 U.S. attorneys. Thirteen of those known to have been targeted are still in their posts. […]
The number of names on the lists demonstrates the breadth of the search for prosecutors to dismiss. The names also hint at a casual process in which the people who were most consistently considered for replacement were not always those ultimately told to leave.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”