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But it’s not simply that language composes poetry and thinks for me, it also drives my feelings, it directs my entire spiritual being, the more self-evidently, the more unconsciously I give myself up to it. So what happens when the language of the educated is composed of poisonous elements, or bears poisons? Words may be little doses of arsenic: they are consumed without being noticed; they seem at first to have no effect, but after a while, indeed, the effect is there.
After a while when one uses the word “fanatical” for “heroic” or “virtuous,” he actually comes to believe that a fanatic is a virtuous hero; that without fanaticism one can not be heroic. The words “fanatical” and “fanaticism” were not created by the Third Reich, but it did transform the essential meaning of these words and it made more frequent use of them in a single day than in other times they would have been used in a course of years…
It is more than just the stuff of a schoolhouse pedant to expose the poison of the language of the Third Reich and to warn about it. When a believing Jew believes that a piece of tableware has been used in a ritually impure way, then he will bury it in the earth in order to purify it. In the same way the many words which were placed in common linguistic usage by the Nazis must be placed in a mass grave for a long time, and some of them forever.
–Victor Klemperer, Lingua tertii imperii ch. 1 (1947)(S.H. transl.)
More from Scott Horton:
Conversation — March 30, 2016, 3:44 pm
Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.
The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.
Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:
Kentucky is the saddest state.
An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”