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Add another neoconservative adviser on the Middle East to an already impressive roster–Daniel Pipes signed on with Rudy Giuliani’s campaign today. I’d heard Pipes was advising Giuliani and asked him about it yesterday. He told me by e-mail that he had “close relations with several people in the campaign,” but said that he did not have “official connection to it.” He e-mailed back just now to say that, as of today, he has officially signed up with the campaign.
I think it’s fair to say that Pipes is even further out ideologically than Norman Podhoretz, another Giuliani adviser. Readers unfamiliar with Pipes can check out his profile at Wikipedia. For a representative sampling of his work, consider a 2006 article he wrote in the Jerusalem Post (not available online):
Iraq’s plight is neither a coalition responsibility nor a particular danger to the West. Fixing Iraq is neither the coalition’s responsibility, nor its burden. When Sunni terrorists target Shi’ites and vice versa, non-Muslims are less likely to be hurt. Civil war in Iraq, in short, would be a humanitarian tragedy, but not a strategic one.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”